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Gallipoli

Several years ago I regarded the best THEATRE company in Australia was The Australian Opera Company. This was when Moffat Oxenbould was at the helm. The reason I thought of the Opera Company as the best theatre company was because of its daring commitment to new work. The chance of failure was enormous. To commission new work and then to mount it was a great risk and endeavour. Especially an Opera, the costs (Size of cast, chorus, orchestra, set, costumes, crew) let alone the possibility of failure were prohibitive but they had the courage to do it. I saw work…

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The Serpent’s Teeth

      The Sydney Theatre Company presents the STC ACTORS COMPANY in THE SERPENT’S TEETH, two plays by Daniel Keene CITIZENS & SOLDIERS at The Drama Theatre at the Sydney Opera House on 24th April 2008.I mention this date so precisely because something rare was happening, for the first time in a long time in the theatre in Sydney I felt that the relevancy of the plays were immediate and concerned my life vitally. The Sydney Morning Herald’s Headline for the day was ‘The going just got tougher. ”It concerned “families on modest incomes” needing to be shielded from…

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A Midsummer Night’s Dream

Tim Supple’s A MIDSUMMER NIGHT’S DREAM was in Sydney as part of its international tour. It was physically robust, sexy, and funny with hints of darkness. Spoken in seven languages the play was superbly told without the assistance of surtitles. In fact it was supremely funnier and more engaging than THE SYDNEY THEATRE ACTING COMPANY’S portentous/pretentious moribund production by Edward Dick last year. The sheer delight of the performers in performing accompanied by a live orchestration was refreshing and memorable.

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