Category: Akos Armont

Photo by Kate Williams Sport For Jove Theatre Co. and Seymour Centre present, NO END OF BLAME, by Howard Barker, in the Reginald Theatre, at the Seymour Centre, Chippendale. October 12 – October 28. Sport For Jove have taken on British playwright, Howard Barker’s 1981 play NO END OF BLAME: Scenes of Overcoming. Ideas plus entertainment can equal art. Howard Barker writes plays that are robustly muscular in content (ideas!) and language usage (literate!). ‘Challenging’, might be a word to describe them. He calls his great catalogue of work: The Theatre of Catastrophe and since 1988 has run his own company:…

Photography by Helen White Darlinghurst Theatre Company present, A LIFE IN THE THEATRE, by David Mamet, at the Eternity Theatre, Burton St, Darlinghurst, 4 Nov-4 Dec. A LIFE IN THE THEATRE, by David Mamet, is an early play, 1977 and, considerably, out of the usual area and style of his more well known genre – of the ‘Mamet-speak’ with macho, foulmouthed men squabbling over the way to make money, epitomised in his famous Pulitzer Prize winning, GLENGARRY GLENN ROSS, of 1984, his Chicago real estate play. A LIFE IN THE THEATRE was written as a paean to his short-lived days…

  Arts Radar in association with atyp Under the Wharf present TOOTH OF CRIME by Sam Shepard at atyp Theatre, Pier 4, Hickson Road, Sydney. TOOTH OF CRIME at atyp is the third Sam Shepard play we have seen in Sydney in the last year. FOOL FOR LOVE, Downstairs Belvoir and TRUE WEST for the Sydney Theatre Company being the other two. Sam Shepard: “First off let me tell you that I don’t want to be a playwright, I want to be a rock and roll star. I want that understood right off. I got into writing plays because I…

Sydney Theatre Company present SPRING AWAKENING. A New Musical. Book and Lyrics by Steven Sater. Music by Duncan Sheik. Based on the original play by Frank Wedekind. At the Sydney Theatre. Oh, look……Oh, boy…..Oh, wow…..Oh, woe…… I deliberately waited until late in the season (the last week, in fact) before attending this production. Neither the press reviews or the “word of mouth” was particularly encouraging about this production. [Less than half a theatre full.] I knew that the company were young and mostly inexperienced and a big musical (I have seen it in New York) needs proper time to find…

The Griffin Theatre Company presented a revival production of Michael Gow’s THE KID at the Stables Theatre. It is 25 years since the original outing. I remember the play of three young underprivileged teenagers coming to the city to claim compensation from the Department and their adventures, meetings and disasters being confronting and moving. Gow had originally sewn in Wagner’s Ring as a hook during the scene breaks that gave the piece pathos and a grounding. It is interesting to see the play now, post 9/11, Iraq, Afghanistan, Israel-Gaza, Hurricane Katrina and the gentle threat of catastrophic Climate Change and…