Category: Alan Dukes

  Red Line Productions present THIS MUCH IS TRUE, by Louis Nowra, at the Old Fitz Theatre, Cathedral St, Woolloomooloo, 12 July – 12 August. THIS MUCH IS TRUE is the first major commission from Red Line Productions. The Old Fitz Theatre is a 60 seat theatre in the basement of the Old Fitz Hotel, in Woolloomooloo, and one of the regular denizens, one of the locals of the neighbourhood, that uses the pub as a regular drinking location and ‘community centre’ is Australian writer Louis Nowra. Since 2014, Andrew Henry, one of the Directors of Red Line Productions, has…

Sydney Theatre Company and Colonial First State Global Asset Management present, KING LEAR, by William Shakespeare at the Roslyn Packer Theatre, Hickson Rd, Walsh Bay, 28 November – 8 January, 2016. KING LEAR. Not another HAMLET. KING LEAR. Yippee! 1603. The ancient Virgin Queen is dying and she has tactically avoided naming an heir. The English Government, and hence her people, fear civil war if she has not – a divided kingdom of clamouring claimants. She has lost so many teeth she is difficult to understand and, so, when she lost her speech altogether those that tended her asked her…

  Photo by Brett Boardman Sydney Theatre Company and Qantas present NOISES OFF by Michael Frayn, in the Drama Theatre, at the Sydney Opera House. NOISES OFF is an entirely delectable farce by Michael Frayn performed with hectic, high spirited impetuous ardour, and impeccable skills, by a deliciously drilled, hilarious team of actors/farceurs, under the assured guidance of Jonathan Biggins. Laughter can be, could be, the tonic de jour, you are seeking, to distract you, even momentarily, from the ‘farce’ of our present Australian political governings, parliaments, and the awful weighing-up of truly tense international political developments. If you need,…

Dear Diary, Please view the Belvoir promotional clip, below, before you begin this ‘epic’ entry. (oh, Puleeease, even if it is tongue in cheek, it epitomises some of the attitude in approaching these works that give me an artist, even, moral, pause. Or, is it just my generational elderliness showing, here? I am just not hip.) CAT ON A HOT TIN ROOF by Tennessee Williams (1955) is another production of a classic American work directed by Simon Stone for the Belvoir Theatre. STRANGE INTERLUDE by Eugene O’Neill and THE DEATH OF A SALESMAN by Arthur Miller were presented last year. Mr Williams…

SYDNEY SYMPHONY 2009 Season. ENERGY AUSTRALIA MASTER SERIES: A MIDSUMMER NIGHT’S DREAM. Overture and incidental music for Shakespeare’s play by Felix Mendelssohn. Text abridged by Tim Carroll.   This concert is a celebration of “the opening of the concert season for 2009… the beginning of the formal relationship between Vladimir Ashkenazy and the Symphony” and the birth of Felix Mendelssohn, two hundred years ago, in 1809.   In the Introductory notes to the performance we are told “the program we’ve devised for tonight speaks to the power of music – not just its power to move our emotions and stimulate…

This is the seventh play of Tony McNamara that the Sydney Theatre Company has produced. It is a committed relationship. “So why a play about Catherine the Great? Injustice would be the main reason. Catherine the Great was in fact, really great, and yet she is remembered as ‘that Russian Queen who did it with a horse.’” Mr McNamara in his program notes tells us that was not true. He goes on to assure us that he is a writer and he “likes to make things up” and he wanted a story “that embodies the spirit of the person rather…