Skip to main content

Killer Joe

There has been a BUZZ around this production. I made sure I got there despite my schedule and the uncommunicative Box Office at Belvoir. I rang twice, hung on twice for almost ten minutes and finally walked to the theatre, the day before, to get my ticket. Now isn’t that dedication to my pursuit of a good time? Part of the reason why, may be the reputation of the writer. Tracy Letts, an American writer, is the new flavour of the year. His play, AUGUST: OSAGE COUNTY first presented at STEPPENWOLF Theatre in Chicago opened last year on Broadway and…

Read More

Homebody/Kabul

“Oh I love the world! I love love love love the world.” Later. “I love the world. I know how that sounds, inexcusable and vague, but it’s all I can say for myself, I love the world, really I do….. LOVE” Later still… “The dust of Kabul’s blowing soil smarts lightly in my eyes, but I love her, for knowledge and love both come from her dust.” Homebody speaks to us for almost 40 minutes. She then disappears and her knowledge and love become part of the dust of Kabul and Mr Kushner leaves one with ones eyes smarting lightly…

Read More

Bumming With Jane

In the program notes there is the Bumming With Jane poem by Charles Bukowski and a quote from Doris Day. This play has all the inclinations of the middle class romantic fantastic fawning over the glamorous grunge of Bukowski but with a 9o% feel of the world of Doris Day in its bourgeois sentimentalities (Drunk is romantic. The life of the self disenfranchised is a positive experience especially if you have love to get you through. etc) (Crazy, because even though darling Doris is quoted as saying “The important thing in life is just loving and living.” she always had…

Read More

An Oak Tree

This is a Co-Op production. This play has one actor who plays the HYPNOTIST (John Leary) and has rehearsed it for several weeks with the Director (Tanya Goldberg) “This actor wears Walkman/iPod headphones connected to a wireless receiver–this enables the HYPNOTIST to speak to and instruct a second actor through a microphone without the audience hearing.” In performance there is a second actor who plays FATHER. “The actor playing FATHER can be either male or female and of any adult age. This actor is completely unrehearsed in their role and walk on stage at the beginning with no knowledge of…

Read More

Spring Awakening

From the Director’s Notes: “I put on classics as a means of expressing the timelessness of particular aspects of the human condition.” Further: “My job, as I see it, both in adaptation and direction is to strip away anything that gets in the way of this realization – anything that no longer speaks to us today – then build up a structure that facilitates the audience’s enjoyment and understanding of a piece that may in its original form have seemed antiquated” – Simon Stone The Set design (Adam Gardnir) consists of what I took to be 9 chicken coops/cages. In…

Read More

My Name is Rachel Corrie

  MY NAME IS RACHEL CORRIE, based on the writings of Rachel Corrie by Alan Rickman and Katharine Viner. It is being performed as part of the B Sharp Co-Op curated season at Belvoir theatre. A Bareboards Production. This is a diary account by Rachel Corrie of her trip to the Middle East as a peace activist in 2003 which ended in her much publicised death whilst attempting to prevent the demolition of a Palestinian home. Throughout this account there is a naïve discovery of the world which leads her to a tragic end. The performance by Belinda Bromilow is…

Read More