Category: Bell Shakespeare

  Bell Shakespeare presents THE TAMING OF THE SHREW by William Shakespeare at the Playhouse at the Sydney Opera House. “[T]he last scene is altogether disgusting to modern sensibility. No man with any decency of feeling can sit it out in the company of a woman without being extremely ashamed of the lord-of-creation moral implied in the wager and the speech put into the woman’s own mouth. Therefore the play, though still worthy of a complete and efficient representation, would need, even at that, some apology.” – George Bernard Shaw, 1897. My first consciousness of this play is the endearing…

Photo – Marcus Graham – Pericles   Bell Shakespeare present PERICLES in Association with TAIKOZ. The Drama Theatre at the Sydney Opera House. Norrie Epstein in his book THE FRIENDLY SHAKESPEARE in his discussion of the Tragicomic Romances begins: “Fantastical, superficial, artificial, improbable, impressionistic, inferior, miraculous, boring – or the best: no one can agree on the merits of Shakespeare’s romances. The eminently reasonable Dr. Johnson dismissed them as foolish, and they are. But, in the words of the playwright Dennis Potter, they are “sweetly foolish”. With PERICLES, CYMBELINE, THE WINTER’S TALE, and THE TEMPEST we enter Shakespeare’s final period………

  Bell Shakespeare & Queensland Theatre Company Present THE ALCHEMIST by Ben Johnson, Directed by John Bell. THE ALCHEMIST written in 1610 by Ben Johnson is a satire of greed and the follies that ensue from the pursuit of it. The Bell program notes give us a thorough contemporary overview of practitioners we know. It includes references to Christopher Skase and Alan Bond, Bernard Madoff and Peter Foster. Contemporary texts/films of comparison include THE GRIFTERS, THE STING and DIRTY ROTTEN SCOUNDRELS. Ben Johnson following on from the success of VOLPONE (1605-06) returns to the satire of his fellow man in…

Sydney Theatre Company and Bell Shakespeare present VENUS & ADONIS by William Shakespeare. A Bell Shakespeare and Malthouse Melbourne co-production developed through Mind’s Eye.   From Ted Hughes’ Shakespeare and the Goddess of Complete Being: “By the time (Shakespeare) emerged into history… he had written the Henry VI trilogy, Titus Andronicus and two or three successful comedies. His foothold on the stage, as can be seen in hindsight was firm. But he must have been aware that at any moment the stage itself could founder… In the Autumn of 1592, when an unusually severe outbreak of plague had closed all…

I attended this production with just a little trepidation. The colour photograph in the Sydney Morning Herald with all that “blood” all over the actors and the set looked…. well…. as if I were heading into another….. “Koskyesque” adventure in the theatre. After THE WOMEN OF TROY with the typical production “tricks” of the Kosky oeuvre and my shell shocked experience in the Ride On Company’s production of FAMILY STORIES: BELGRADE maybe my sensibilities were a little depleted and distressed. Now, I do not know much about Heiner Muller, except a little I have gleaned from reading and brief conversations…

  To quote from the publicity postcard: “Bell Shakespeare’s JUST MACBETH! By Andy Griffiths is a really silly version of Shakespeare’s great big gory tragedy starring Andy, Lisa, Danny, and (yuck!) Jen from the JUST TRICKING!, JUST STUPID!, JUST SHOCKING! books. It’s got six funny but tragic actors, a garden gnome, and a severed head that talks Shakespearean. Plus, there are witches, WIZZ FIZZ, ghosts, girl germs, and weird Elizabethan things like soliloquies and sharp swords and other things beginning with S. An hilarious and irreverent take on one of Shakespeare’s most popular plays, JUST MACBETH! will have you and…