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ACO: Tour Four (Trout Quintet & Quartet For The End Of Time)

Guest Pianist Saleem Abboud Ashkar Australian Chamber Orchestra (ACO) presents Tour Four, TROUT QUINTET and QUARTET FOR THE END OF TIME in the Concert Hall at the Sydney Opera House. The Australian Chamber Orchestra (ACO) presented Franz Schubert’s Piano Quintet in A major, ‘Trout” Op.114,D.667 (Composed1819, published 1829) and Olivier Messiaen’s Quartet for the End of Time (1941). Helena Rathbone (Violin), Christopher Moore (Viola), Timo-Veikko Valve (Cello), Maxime Bibeau (Double Bass) were joined by guest artist Saleem Abboud Ashkar (Piano) for the five movement “Trout” Quintet. This is a piece of some familiarity for me. It was a joy to…

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Tour Five: Marwood

  Australian Chamber Orchestra present Tour Five; Marwood, Mozart & Mendelssohn. Guest Director Anthony Marwood at Angel Place Sydney. Guest Director, Anthony Marwood, of the Australian Chamber Orchestra, has chosen a very exciting program ranging form Mozart’s (1776) and Mendelssohn’s (1822-1824) work to contemporary compositions by Golijov, Kinsella, Vine and a recently commissioned Transcription of Schumann’s Cello Concerto in A minor for Violin by Orlando Jopling. The music choices span history and the principal effect is one of joy ,surprise, apprised virtuosity, of both The Orchestra and Mr Marwood, and an elegant statement about the timelessness of good music, well…

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ACO: Tour Three – Great Romantics

AUSTRALIAN CHAMBER ORCHESTRA present TOUR THREE: GREAT ROMANTICS. In a concert at Angel place I heard a stripped back representation of the Australian Chamber Orchestra, a string sextet: Richard Tognetti, Helena Rathbone, Christopher Moore, Stephen King, Timo-Veikko Valve and Julian Thompson give a performance of Ian Munro’s commissioned piece BLACK IS THE NIGHT as part of the 20th Anniversary celebration of Richard Tognetti’s leadership of the ACO; Brahms’ String Sextet in G, Op.36 [Agathe] and Schoenberg’s TRANSFIGURED NIGHT. Brahms has not very much interested me. I nearly always imagine myself sitting in a scene either at a colonial concert at…

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