Category: John Gaden

ROSENCRANTZ AND GUILDENSTERN ARE DEAD is one of those famous plays by a now famous writer, Tom Stoppard, that every young, university actor wants to be in, or do a scene from. In the early nineteen sixties, having the idea that the King of England to whom Rosencrantz and Guildenstern, in Shakespeare’s HAMLET, were dispatched, was probably King Lear, Tom Stoppard wrote, whilst working in West Berlin, with several other writers on a Ford Foundation Award (as “cultural window dressing” for the allies!) a one-act comedy in verse called tentatively, ROSENCRANTZ AND GUILDENSTERN MEET KING LEAR. A seed had been…

  Sydney Theatre Company, Queensland Theatre Company and Bank of America Merrill Lynch present NO MAN’S LAND by Harold Pinter at the Drama Theatre, Sydney Opera House. NO MAN’S LAND by Harold Pinter written in 1974, especially for John Gielgud and Ralph Richardson, at the National Theatre of Great Britain, under the direction of Peter Hall (it later transferred to the West End and Broadway), is, surprisingly, having it’s first professional production in Australia. It is directed by Michael Gow and has Peter Carroll and John Gaden creating these two demanding and tantalising, inexplicable characters: Spooner and Hirst. In a…

VICTORY by Howard Barker was the last time that Judy Davis was on stage in Sydney. It was to see her that I bought my tickets to attend THE SEAGULL at Belvoir. To be able to watch Ms Davis on stage again, is too thrilling an opportunity to miss. A lot of other people have felt the same. The season was sold out – all but standing room – for weeks before the opening. Some of my friends bought their tickets despite the fact that it was another Chekhov play, the recent Sydney Theatre Company production of UNCLE VANYA having…

Belvoir presents THE WILD DUCK by Simon Stone with Chris Ryan after Henrik Ibsen in the Upstairs Theatre. THE WILD DUCK written by Simon Stone, also the Director, with Chris Ryan, after Henrik Ibsen’s play (1884) of the same name, is a new contemporary Australian play. This adaptation and re-writing, like Mr Stone’s other Ibsen inspired play (with Thomas Henning), THE ONLY CHILD (from Ibsen’s LITTLE EYOLF), as texts, presage a very good night in the theatre. Both of these texts are very interesting. This one better than the other, I felt. And while, if one is a committed Ibsenite,…

    Sydney Theatre Company, Malthouse Melbourne and Thin Ice present THE TRIAL adapted by Louise Fox, from the novel by Franz Kafka, at the Sydney Theatre Company at the Wharf 1. THE TRIAL is the third Kafka based theatre experience that the Sydney Theatre Company has presented to us in the last eighteen months : KAFKA’S MONKEY and METAMORPHOSIS being the other two. THE TRIAL adapted by Louise Fox, from the novel by Franz Kafka is a ThinIce, Malthouse Melbourne and Sydney Theatre Company Commission. The last time I met the work of Louise Fox was the commission by…

Photo – Marcus Graham – Pericles   Bell Shakespeare present PERICLES in Association with TAIKOZ. The Drama Theatre at the Sydney Opera House. Norrie Epstein in his book THE FRIENDLY SHAKESPEARE in his discussion of the Tragicomic Romances begins: “Fantastical, superficial, artificial, improbable, impressionistic, inferior, miraculous, boring – or the best: no one can agree on the merits of Shakespeare’s romances. The eminently reasonable Dr. Johnson dismissed them as foolish, and they are. But, in the words of the playwright Dennis Potter, they are “sweetly foolish”. With PERICLES, CYMBELINE, THE WINTER’S TALE, and THE TEMPEST we enter Shakespeare’s final period………