Category: Josh McConville

DEATH OF A SALESMAN, written by Arthur Miller in 1948, produced in 1949, tells the story of an ordinary American family: the Loman family. Father/husband Willy (Jacek Koman), Mother/wife Linda (Helen Thomson), Sons Biff (Josh McConville) and Happy (Callan Colley). Biff is 34 and has returned home to Brooklyn, after an adventure in the cowboy world of the horse for dog meat Misfits, in a dilemma of disillusionment, seeking confession with his socially degraded brother before confronting his father with a shared secret that has eaten up half of his life, that will devastate his mother and push Willy to…

PACKER AND SONS is a new Australian play by Tommy Murphy. It is a play that focuses on the men of the Packer dynasty. Sir Frank, Kerry, Clyde and James. We meet Rupert and Lachlan Murdoch – another Australian power merchant family. And wheeler-dealer Jodie Rich – a failed power interloper. No women appear in this two and a half hour saga – is it that their invisibility or silence is a tacit wink that they are consenting agents to the world about them? Silence is Consent? On a bare stage, Design, Set and Costume, by Romaine Harper, supported peripherally…

Part way through Act One of the Sydney Theatre Company’s production of Tennessee Williams, CAT ON A HOT TIN ROOF, Directed by Kip Williams (and it was probably only twenty minutes or so into the text), I knew that I was having an experience in the theatre that was what I recognise as an experience of Grand Theatre. Watching this production of Kip Williams was the equivalent to me of what I have often experienced in the three hour or more in a Wagner Opera experience – a “Grand Olde Opry” experience, one that through its writing and the endurance…

Photo by Brett Boardman Belvoir presents, A TASTE OF HONEY, by Shelagh Delaney, in the Upstairs Belvoir Theatre, Surry Hills. July 21 – August 19. A TASTE OF HONEY, by Shelagh Delaney, an English play, written 60 years ago, in 1958. The first production of this play came under the care and Direction of the iconic Joan Littlewood – a woman leading a new way to present work for the theatre with the gusto of a vigorous iconoclast wanting to enliven, and to breathe in an energy force to the experience of the theatre, as a vital life force of relevance…

Photo by Brett Boardman Belvoir presents, THE SUGAR HOUSE, by Alana Valentine, in the Upstairs Theatre, Belvoir St, Surry Hills. 5th May- 3rd June. THE SUGAR HOUSE, is a new Australian play, by Alana Valentine. Find the best ‘Lions’, give them good ‘meat’, and we will all have a great feast. The Lions = the Actors, the good meat = the play, the feast = the audience (participation). It seemed to me as this play gently unwound in a daring ‘stately’ tempo, reaching (and revealing) an ‘epic’, led confidently, by Director, Sarah Goodes, the best of actors, Kris McQuade, as…

Sydney Theatre Company, presents CLOUD NINE, by Caryl Churchill, at Wharf 1, Hickson Rd, Walsh Bay. 1 July – 12 August. Let us begin at the top. This is the BEST production I have seen at the Sydney Theatre Company (STC) for many a long year. Get your self a ticket ASAP. This production of CLOUD NINE, a play by Caryl Churchill, written in 1979, Directed for the STC by Kip Williams (their new Artistic Director), with Matthew Backer, Kate Box, Harry Greenwood, Anita Hegh, Josh McConville, Heather Mitchell and Anthony Taufa  – is an absolute “knock out”. To begin where…