Category: Julia Ohannessian

  Monkey Baa Theatre Company present, DIARY OF A WOMBAT, Concept by Sandra Eldridge, Tim McGarry, Eva Di Cesare, Based on the book by, Jackie French and Bruce Whatley. Monkey Baa, a children’s theatre, has adapted the children’s book DIARY OF A WOMBAT by Jackie French and Bruce Whatley. Nature, represented by Mothball, the wombat, explores his territory in search of food for his survival and comes into contact, conflict, with two humans who have built a home and gardens in his natural vicinity. Using puppetry, Design and Construction, by Bryony Anderson, three actors: Michael Cullen, Julia Ohannessian and Shandelle…

Sydney Theatre Company (STC) and Colonial Trust First State Global Asset Management presents, CHILDREN OF THE SUN, by Maxim Gorky, in a new version by Andrew Upton, in the Drama Theatre, at the Sydney Opera House. 17 September – 18 October. Look. Dear Diary, I did not have a good time with this production of CHILDREN OF THE SUN, at the Drama Theatre. It seemed to me to be more a play adapted from a Feydeau classic, than a play by Gorky. I can’t decipher who is responsible, The Adaptor: Andrew Upton, or the Director, Kip Williams. The best things…

Darlinghurst Theatre Company and Michael Sieders presents EVERY SECOND by Vanessa Bates at the Eternity Playhouse, Darlinghurst, 27 June – 27 July. In June, 2010, the Writer/Director double of Vanessa Bates and Shannon Murphy brought us PORN.CAKE, and have now collaborated to present a new play: EVERY SECOND. PORN.CAKE was a comic ‘meringue’, its success benefitting enormously from the energy that can be combusted  around and in the small space of the SBW Stables – it was able, in there, to be comically fun and seductive, (durable) despite the slightness of the content pre-occupation. EVERY SECOND has had its premiere…

Helen Thomson and Julia Ohannessian in Sydney Theatre Company’s The Splinter. Photographer: Brett Boardman. Sydney Theatre Company presents THE SPLINTER by Hilary Bell at Wharf 1. (Hickson St.) THE SPLINTER concerns a Father (Erik Thomson) and a Mother (Helen Thomson) who after a nine month agony of the ‘missingness’ of their only child, a little girl, suddenly find her returned. There is no explanation, no restorative story to fill in the nine month gap – just the physical presence of the little girl. She cannot speak. She cannot tell of her nine month absence. She just is. Is present. Her presence becomes…

  Sydney Theatre Company presents MONEY SHOTS as part of Next Stage 2011 at Wharf 2. The program tells us that we were to see 5 new fifteen minute plays about money from some of Australia’s most exciting new theatre-makers: Tahli Corin, Duncan Graham, Angus Cerini, Rita Kalnejais, Zoe Pepper and the out going The Residents: Cameron Goodall, Julia Ohannessian, Zindzi Okenyo, Richard Pyros, Sophie Ross and Tahki Saul directed by the 2011 Richard Wherrett Fellow, Sarah Giles. The Sydney Theatre Company’s Literary Manager, Polly Rowe (who recently acted as dramaturg on BOXING DAY at the Old Fitzroy Theatre) along with…

Sydney Theatre Company presents the Residents in ORESTEIA by Aeschylus. In a new adaptation by Tom Wright at the Wharf 1. Tom Wright has adapted the Aeschylus ORESTEIA. He is also the Director. It is, “…of course a trilogy. This production isn’t. It’s a version mainly of the first two plays in the trilogy, AGAMEMNON and CHOEPHORI (the Libation Bearers), with a dues ex machina at the end. Apollo’s speech of conclusion is based on his words in Aeschylus’ third play, EUMENIDES, but fundamentally this version isn’t an attempt to present the whole catastrophe. It’s an attempt at a distillation,…