Category: Kieran Foster

The Puzzle Collective and Shakespeare Twentyscore present, SUPERHAL, adapted by John Galea, from Shakespeare’s Henry IV, Part One and Two, and Henry V, at the Parade Theatre, NIDA, Kensington. 7 March – 18 March. Says John Galea, the Director and Script Editor, of SUPERHAL: When watching Henry IV, Directed by John Bell, “I could see that there was a fully fledged archetypical origin story, a mythic father/son conflict (the source of Mario Puzo’s Godfather) sitting in between history and legend. … As usual, my head was full of sic-fi, fantasy and Marvel. … I was encouraged by the hugely positive…

  NEW THEATRE present MILKMILKLEMONADE by Joshua Conkel at the New Theatre, Newtown. MILKMILKLEMONADE a play by Joshua Conkel concerns, in essence, the coming-of-age of two young boys, Emory (Mark Dessaix) and Elliot (Kieran Foster) living in the boon-docks of somewhere in America, who are gay and are not sure what that is. The play is set on a chicken farm. It is run by Nanna (Peter Nettell) – impersonated here as a lady with all the visual ‘drag’ qualities of kitchy butch: flamboyantly grotesque trappings of wig, make up and costume, who has a certain pragmatic charm and direct…

God’s Ear – Trailer from Anne Brito on Vimeo. Pursued by a Bear and The Reginald Theatre, The Seymour Centre present GOD’S EAR by Jenny Schwartz in the Downstairs Theatre at the The Seymour Centre, Sydney. A week, and I have read the very satisfactory new Jeffery Eugenides novel THE MARRIAGE PLOT. Began Gillian Mears’ FOAL’S BREAD. Re-read Kenneth Lonnergan’s LOBBY HERO – 2001, (The New York times having suggested that it may be the best American play of the first decade of the millennium); David Hare’s and Howard Brenton’s play PRAVDA – 1984, because the principal character has shadows…