Category: Leticia Caceres

Photo by Brett Boardman Sydney Theatre Company with Malthouse Theatre presents, GOING DOWN, by Michelle Lee, in Wharf 2, at the Sydney Theatre Company, Hickson Rd, Walsh Bay. 23rd March – 5th May. GOING DOWN, by Michelle Lee, is a new Australian play. Last year, the Griffin Theatre presented her play, RICE. Natalie Yang (Catherine Davies), an Australian/Hmung Chinese, has written her first book, BANANA GIRL, a no-holds-bar sex memoir. No-one is really interested. On the other hand Lu Lu Jayadi (Jenny Wu), an Australian/Muslim from Indonesia, has just written a new book that garners the Miles Franklin Award – ‘(she)…

Photo by Brett Boardman Belvoir and Vicki Gordon Music Productions present BARBARA AND THE CAMP DOGS, by Ursula Yovich and Alana Valentine, in the Upstairs Belvoir, Belvoir St Theatre, Surry Hills. 2-23 December. “Now let in the love”, are the final words of the song of this new Australian play (with music): BARBARA AND THE CAMP DOGS, co-written by Ursula Yovich and Alana Valentine. It is an irresistible invitation and love is what permeated the tremendous reception that the audience gave this performance/this play. In between the opening song which begins with the lyrics: “Look at the sun and do not…

Belvoir in association with Oombarra productions present THE DROVER’S WIFE, by Leah Purcell, in the Upstairs Theatre, in the Belvoir St Theatre. 21 September – 16 October. THE DROVER’S WIFE by Leah Purcell, is a new Australian play. Henry Lawson’s short story, THE DROVER’S WIFE, was a reading that most of us of a certain generation had at school. Ms Purcell in her program notes tells us that it was a part of her growing up, a personal and familiar story shared with her by her mother, regularly, such that at the last line: I would stop her and say.…

Photo by Ellis Parrinder Belvoir presents MISS JULIE by Simon Stone after August Strindberg in the Upstairs Theatre at Belvoir, Surry Hills. This is the third production of MISS JULIE that I have seen in Sydney this year. The first, an adaptation of the 1888, August Strindberg play, by Cristabel Sved and Kate Box at the Darlinghurst Theatre in October last year. The other, in March this year, using the ‘classic’ 1964, Michael Meyer translation of the play. Interestingly, I am aware (and read, two of them) of three other recent, high profile versions of this text, internationally. MIES JULIE, adapted…