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Fireface

Stories Like These and atyp Under The Wharf present FIREFACE by Marius Von Mayenburg, translated by Maja Zade at the atyp Wharf Theatre, Wharf 4, Hickson Rd. FIREFACE was the first play of Marius Von Mayenburg for the Schaubuhne am Lehniner Platz, Berlin and it was awarded the Kleist Prize for young dramatists in 1997. Several years ago the Sydney Theatre Company (STC) presented a production by Benedict Andrews. Mr Von Mayenburg has gone on to a very prolific career. The play is a stringent look at the core social structure of any society: that of the family. Vitally, in…

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Hamlet

Photo by Seiya Taguchi Seymour Centre in association with Sport For Jove Theatre present HAMLET by William Shakespeare in the York Theatre at the Seymour Centre. Commissioned by the Seymour Centre, the Sport For Jove Theatre under the direction of Damien Ryan have prepared and present a version of William Shakespeare’s HAMLET with school audience’s in mind. Mr Ryan has “…worked heavily in the Australian education sector, and bringing Shakespeare and theatre to young audiences is his life’s passion.” His production of ROMEO AND JULIET for Bell Shakespeare/ Sydney Opera House is at present on tour in Melbourne. His production…

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Time Stands Still

  Darlinghurst Theatre Company and Fishy Productions present TIME STANDS STILL by Donald Margulies at the Darlinghurst Theatre. TIME STANDS STILL by Donald Margulies, written in 2009, is really a terrific play. Having read it last year, it is great to see it on our stages in Sydney. Contemporary theatre writing concerning burning issues surrounding our daily lives are rarely aired, if written at all, in contemporary Australian dramatic literature (unless they present lots of opportunities for sex i.e. UNDERBELLY). This play concerns the lives of two characters who work and have survived in the war zones of the world,…

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Orestes 2.0

ORESTES 2.0 by Charles Mee. Presented by CRY HAVOC & GRIFFIN INDEPENDENT at the Griffin/Stables Theatre. In the experience of my American life, in the theatre (over there), three of the most challenging writers that I saw and were memorable (for one reason or another!) were works by Richard Foreman, Mac Wellman and Charles Mee. All three write in structures and forms that we, in Australia, hardly ever see explored by our own writers or on our own stages. Although, Richard Foreman has had several outings over the past few years in Sydney (including: my head is a sledgehammer; Now…

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