Category: Mandy McElhinney

Belvoir with the Liverpool Everyman and Playhouse presents FORGET ME NOT by Tom Holloway, at the Belvoir St Upstairs Theatre. FORGET ME NOT is new play by Tom Holloway, it, having been commissioned, jointly, by Belvoir and the Liverpool Everyman and Playhouse. This play has its origins in the tragic history of child migration. The origins began in Great Britain in 1618 and concerned the colony of Virginia. The last child migration party arrived in Australia in 1970. The reality was that children as young as three were removed from their homes. Many children were removed without their parents knowledge…

Photo by Brett Boardman GRIFFIN THEATRE COMPANY presents the World Premiere of DREAMS IN WHITE by Duncan Graham at the SBW Stables Theatre, Kings Cross. DREAMS IN WHITE by Duncan Graham is directed confidently by Tanya Goldberg. Her cast comprising Lucy Bell, Mandy McElhinney, Andrew McFarlane, Steve Rodgers in multiple roles and Sara West in a solo requirement, as the young daughter, give performances of great commitment and skill, switching from one persona to another without hesitation, from demand to demand made by the writing. The Design by Teresa Negroponte, of a charcoal grey floor and walls with white opaque…

  Sydney Theatre Company present: In the Next Room, or The Vibrator Play by Sarah Ruhl, in the Drama Theatre at the Sydney Opera House. “If Henrik Ibsen and Oscar Wilde had decided to collaborate on a post-modern drawing-room comedy, the hotsy-totsy twosome surely would have turned out something very much like Sarah Ruhl’s genuinely hysterical new work,” (Theatremania). This is a quote from the Sydney Theatre Company’s advertisement for the show. It is a delightfully pitched idea, and I tend to agree with it. Sarah Ruhl is one of the new American writers making a splash, through dint of…

  Sydney Theatre Company Education presents THE BEAUTY QUEEN OF LEENANE by Martin McDonagh at Wharf 2. THE BEAUTY QUEEN OF LEENANE by Martin McDonagh is on the school syllabus and so the Education wing of the Sydney Theatre Company have mounted a production to take the play from the page to the stage, to give some students the brilliant opportunity to see the text as intended: Full of the life of actors telling the story to them in a space where they are part of the creative exchange that is the magic of the theatre. Actor and audience together,…

I have to declare that I have never been a fan of Moliere. Either the verse translations or just simply, perhaps, the plots and characters always kind of bored me. (The STC Bourgeois Gentleman, a year or so ago was so horrible that I had sworn never to go again to a Moliere play.) So I attended the MTC production, the other evening, with no expectations. However, I had a wonderfully delightful time. My fellow audience companions did as well. I feel that the director Peter Evans has such a secure hand on this work from all areas of his…

This is the seventh play of Tony McNamara that the Sydney Theatre Company has produced. It is a committed relationship. “So why a play about Catherine the Great? Injustice would be the main reason. Catherine the Great was in fact, really great, and yet she is remembered as ‘that Russian Queen who did it with a horse.’” Mr McNamara in his program notes tells us that was not true. He goes on to assure us that he is a writer and he “likes to make things up” and he wanted a story “that embodies the spirit of the person rather…