Category: Max Lyandvert

Sydney Theatre Company presents MRS WARREN’S PROFESSION by George Bernard Shaw In Wharf 1, Hickson Rd. MRS WARREN’S PROFESSION: A play that intelligently deals with contemporary issues around gender equalities and sex and money.That it was written almost 120 years ago and still is deeply applicable to the social agenda debate, tells us something of the sluggish cruelty of the human being in its capacity to affect proper change. Our embedded prejudices and habitual moral blindness’s, such obstacles to human rights! This play written in 1894 did not have it’s first unexpurgated licensed performance in Britain until over thirty years…

  Sydney Theatre Company presents GROSS UND KLEIN by Botho Strauss at the Sydney Theatre (BIG AND SMALL, English Text by Martin Crimp). GROSS UND KLEIN (Big and Small) by Botho Strauss premièred at the Schaubhne am, Halleschen Ufer, Berlin in December, 1978, directed by Peter Stein. In 1988 the Sydney Theatre Company presented BIG AND LITTLE under the guest direction of German, Harald Clemen, with Robyn Nevin in the lead role of Lotte (the play has also been produced at the National Institute of Dramatic Art). GROSS UND KLEIN directed by Benedict Andrews (replacing Luc Bondy) and starring Cate…

  Sydney Theatre Company and UBS Investment Bank present TRUE WEST by Sam Shepard at Wharf 1. First, my prejudices: Sam Shepard is one of three of the great living American playwrights, in my estimation. Edward Albee the greatest and David Mamet, the other member of the trinity. TRUE WEST(198O) by Sam Shepard follows the family sagas of CURSE OF THE STARVING CLASS (1976) and the Pulitzer prize winning BURIED CHILD (1979). It has been regarded as the final episode in a ‘family’ trilogy, although A LIE OF THE MIND (1987) seems, to me, a clincher to the Shepard family…

  Sydney Theatre Company Education presents THE BEAUTY QUEEN OF LEENANE by Martin McDonagh at Wharf 2. THE BEAUTY QUEEN OF LEENANE by Martin McDonagh is on the school syllabus and so the Education wing of the Sydney Theatre Company have mounted a production to take the play from the page to the stage, to give some students the brilliant opportunity to see the text as intended: Full of the life of actors telling the story to them in a space where they are part of the creative exchange that is the magic of the theatre. Actor and audience together,…

Photo – Lachy Hulme & Darren Gilshenan – Elling Sydney Theatre Company in association with the Ambassador Theatre group presents ELLING, based on a novel by Ingvar Ambjornsen. Stage adaptation by Axel Hellstenius in collaboration with Peter Naess. Translated by Nicholas Norris. Adapted by Simon Bent. At Wharf 1. ELLING, as you can read (above) comes to us through a very numerous set of creative hands: writers, translators and adaptors, (the screen play of the novel, which was the first of three films based on the books, which was nominated for an Oscar for Best Foreign film in 2002, was…

AIM: To explore a way of performing. To develop a style of theatre that explores the possibilities of the instrument (physical and vocal) and a new form of expression that is different from the expected. (As an art form are our methods dated? Have we developed as openly as say the plastic arts or music? TOOLS: A swimming pool. A glass museum case. (At least large enough to display a full grown man.) A set of metal gurney tables with kitchen equipment. eg A juicer, a blender, a micro wave oven, a cutting board, kitchen utensils (especially knives), some foods…