Category: Melissa Bubnic

This is the third year of The Lysicrates Prize for playwriting. Two philanthropists, husband and wife. John and Patricia Azarias, founded The Lysicrates Foundation “with the aims to encourage and promote Australian creativity, particularly in playwriting; to help restore the beautiful Lyscicrates Monument in Sydney’s Royal Botanic Garden; and to foster an appreciation of both Australian history and our living heritage from classical Greece. …” To this end the Griffin Theatre has been ‘recruited’ to assist in the organisation of the playwriting objective. An invitation was sent out to established writers to submit a first act of a play that…

Photo by Brett Boardman Sydney Theatre Company (STC) presents, BOYS WILL BE BOYS, by Melissa Bubnic, in the Wharf 2 Theatre, Hickson Rd, Walsh Bay. April 18- 16 May. BOYS WILL BE BOYS, by Melissa Bubnic, is a new Australian play. Set in the work spaces/play spaces of a WOLF OF WALL STREET- like, money-making company somewhere in Australia, this one act play has five female actors playing all the characters, male and female – some in formal suited attire, some, sometimes, in next-to-nothing, but all in high heeled stilettos. Says the Director, Paige Rattray: “We’re used to seeing men…

Griffin Theatre Company presents The Sydney Premiere of BEACHED by Melissa Bubnic at the SBW Stables Theatre, Kings Cross. BEACHED is a new play by Melissa Bubnic. It concerns the making of a Reality Television program (Producer: Arka Das) that covers the 235 day countdown to a gastric bypass operation for a young man, Arty, or Arthur Arthur (Blake Davis), who is disabled by obesity – an 18 year old boy weighing 400 kilograms, “the world’s fattest teenager” – and his efforts on that journey, including a Pathways to Work officer’s intervention, Louise (Kate Mulvany), so that Arty “can get…

  Sydney Theatre Company presents MARRIAGE BLANC by Tadeusz Rozewicz, adapted by Melissa Bubnic at Wharf 2. The Sydney Theatre Company, this Production at least, has forgotten to tell us, in their program notes, anything about the actual originator of this material, the writer, Tadeusz Rozewicz. Everybody else, BUT, not the writer. The adaptor even, BUT, not the writer. This is not an unusual event in Sydney theatre going. The writer is often forgotten in the flowering of the enterprises on our stages. Respect is not always discernible. (The director has never been neglected in the program notes, as far…