Category: Sarah Goodes

Sydney Theatre Company (STC), by special arrangement with Geffen Playhouse, Los Angeles, presents the Co-World Production of SWITZERLAND, by Joanna Murray-Smith, in the Drama Theatre, at the Sydney Opera House, 3 Nov – 20 Dec. SWITZERLAND is a new play by Australian playwright Joanna Murray-Smith. It was originally commissioned by the Geffen Playhouse, in Los Angeles, and will be seen there in 2015. This production by the Sydney Theatre Company (STC) is by special arrangement with that LA company. Ms Murray-Smith has had many of her plays performed around the world, and has been translated into dozens of languages, and…

THE EFFECT, by Lucy Prebbles, I first saw in the original production at the National Theatre, London, in 2012. I have written about it. I, also, was fortunate to catch the ill fated Broadway production of ENRON (2010) also by Lucy Prebbles. Both these plays are challenging examinations in the theatre of very big issues. ENRON has been seen in Sydney at the enterprising New Theatre. The Sydney production of THE EFFECT has been sponsored by The Commonwealth Bank – one can ponder why they didn’t agree to sponsor the ENRON play, too – too big to fail! Both these plays…

Sydney Theatre Company presents a Sydney Theatre Company and State Theatre Company of South Australia production of VERE [FAITH] by John Doyle in the Drama Theatre at the Sydney Opera House. VERE [FAITH] is John Doyle’s second play, THE PIG IRON PEOPLE, which the Sydney Theatre Company (STC) presented in 2008, being the first. Says Andrew Upton, the Artistic Director of the STC: John Doyle … has shaped a play that finds the intersection between theatre, science and morality. The here and now of the stage, the four-dimensional fields and particles of physics, the slippages and illusions of dementia. It…

Helen Thomson and Julia Ohannessian in Sydney Theatre Company’s The Splinter. Photographer: Brett Boardman. Sydney Theatre Company presents THE SPLINTER by Hilary Bell at Wharf 1. (Hickson St.) THE SPLINTER concerns a Father (Erik Thomson) and a Mother (Helen Thomson) who after a nine month agony of the ‘missingness’ of their only child, a little girl, suddenly find her returned. There is no explanation, no restorative story to fill in the nine month gap – just the physical presence of the little girl. She cannot speak. She cannot tell of her nine month absence. She just is. Is present. Her presence becomes…