Category: Sean O’Shea

  Sydney Theatre Company presents MARRIAGE BLANC by Tadeusz Rozewicz, adapted by Melissa Bubnic at Wharf 2. The Sydney Theatre Company, this Production at least, has forgotten to tell us, in their program notes, anything about the actual originator of this material, the writer, Tadeusz Rozewicz. Everybody else, BUT, not the writer. The adaptor even, BUT, not the writer. This is not an unusual event in Sydney theatre going. The writer is often forgotten in the flowering of the enterprises on our stages. Respect is not always discernible. (The director has never been neglected in the program notes, as far…

photo by Rush The Bell Shakespeare Company present THE DUCHESS OF MALFI in The Playhouse, at the Sydney Opera House. The Bell Shakespeare Company presents THE DUCHESS OF MALFI, the cast and collaborators handout and list in the actual program, announces. It is odd that those “announcements”, even the cover page of the actual program, does not register the actual writers’ names: Hugh Colman and Ailsa Piper. No mention of the writer of the original play is claimed or made in the advertising, either (although, the theatre program is an exemplar of historical research of background to the John Webster…

BELL SHAKESPEARE presents MUCH ADO ABOUT NOTHING by William Shakespeare at the Drama Theatre, in the Sydney Opera House. A set design (Stephen Curtis) sits in the space in a dominating fashion. A giant fresco wall of romantic images of giant mythical figures, the impact luscious at first glance, but on closer study reveals signs of wasting on the edges and hasty repair and ‘gutting’ by a large folding door, centrally. Pieces of odd and ruined furniture spread across the room – a piano of ruined tones and wear, included. There is a sense of a time when the wealth…