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The Beauty Queen of Leenane

THE BEAUTY QUEEN OF LEENANE was the debut play, from the Irish/English writer Martin McDonagh. There followed a plethora of stunning successful companions to his stage repertoire which audiences looked keenly to see. In Sydney we were impressed with mainstage productions of THE BEAUTY QUEEN OF LEENANE (1996), THE CRIPPLE OF INNISHMAAN (1997), THE LIEUTENANT OF INISHMORE (2001). Elsewhere in the Fringe theatres, A SKULL IN CONNEMARA (1997), THE LONESOME WEST (1997), THE PILLOWMAN (2003), and regular revivals of the Mainstage exhibits arrived. And of course his film repertoire: IN BRUGES (2008), SEVEN PSYCHOPATHS (2012) and THREE BILLBOARDS OUTSIDE EBBING,…

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The Merchant of Venice

Photo by Prudence Upton Bell Shakespeare present THE MERCHANT OF VENICE, by William Shakespeare, in the Playhouse Theatre, at the Sydney Opera House. Until 26 November. I went to see this Bell Shakespeare production of THE MERCHANT OF VENICE, Directed by Anne-Louise Sarks, on the favourable ‘word-of-mouth’ I had, mostly, received from friends, who, like me, had had a very dispiriting experience with their production of OTHELLO***, last year, and, of course, because of my continuing interest in this very vexing play. Vexing? Says Norrie Epstein in his book THE FRIENDLY SHAKESPEARE: THE MERCHANT OF VENICE  is a troubling play.…

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This, This Is Mine

The Corinthian Food Store Collective presents, THIS, THIS IS MINE, by Duncan Ragg, in an apartment in Downtown Sydney, 24 – 25 September, Sydney; then 30 Sept – 1 October in Canberra. THIS, THIS IS MINE, is a new play by a young Writer/Director, Duncan Ragg, developed in a ‘generous’ residency in Brooklyn, NYC, where it was first presented in a luggage factory in Red Hook. Determined to perform the work, at home, in Sydney, a new venture known as The Corinthian Food Store Collective, organised a space and time, firstly on the roof of an inner-city apartment building, but…

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