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Performing Arts Reviews
2008 - 2022

This website is the archive of Kevin Jackson’s performing arts diary reviewing performances (and occasional books and screenings) attended by Kevin between 2008 and 2022. The focus is primarily on theatre performances, but also include music, dance, performance art and film. During some weeks he would attend and then review up to four separate performances. The sheer quantity of shows reviewed is testament to Kevin’s commitment as a colleague and audience member – to the continuation of the performing arts in Australia, and Sydney more specifically.

Use the 'Blog/Reviews' link in the top menu to access the blog posts.

PERFORMING ARTS REVIEWS 2008-2022

Uncle Vanya

Sydney Theatre Company, 2011

…Ms Blanchett creates for Yelena a woman recognizing the loss of her youth and the possibility, imminently, of the sparks of her potential has a whole human being, being extinguished forever. Like “Autumn roses…so beautiful and sad” Yelena struggles between her sense of duty to her husband and the frustrations of unrequited sexuality, even love. She, too, like Astrov, finds respite in alcohol and in an anesthetized state plays recklessly with the hopes of the naïve Sonya: living, vicariously, a sex courtship for Sonya. Ms Blanchett in this performance rides a fine line between the pathos of the woman and the absurd ironies of her situation.

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The Caretaker

Ensemble Theatre, Kirribilli, 14th October - 19th November, 2022

The Ensemble Theatre has asked director Iain Sinclair, who brought Arthur Miller’s play A VIEW FROM THE BRIDGE, a little while ago, to the Ensemble Theatre, after its initial ‘life’ at the Old Fitz in Woolloomooloo, to a vivid rendering, to revive THE CARETAKER, by Harold Pinter, for us. THE CARETAKER had its first production in 1960 at the Arts Theatre Club, in London, and was transferred to the Duchess...

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End Of.

SBW Stables Theatre, Kings Cross, 13th October - 5th November, 2022

END OF. is a new monologue written and performed by Ash Flanders, Directed by Nicholas Nicolazzo. Here is what you can expect to see after you have climbed the stairs at the SBW Stables Theatre. Says the publicity blurb: OUTRAGEOUS. CONFESSIONAL. UNEXPECTED. “There’s no crueler thing you can say to an actor than ‘Don’t give up your day job’. Fortunately, thanks to cover bands and theatre...

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Blog Links

Suzy Wrong’s
Suzy Go See reviews

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Alison Croggon’s
Theatre Notes

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Stage Noise
with Diana Simmonds

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Shit On Your Play
(Sydney Theatre Notes)

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Most Popular Posts

In This Light

IN THIS LIGHT, is a new Australian play by actor, Noel Hodda. This play has been “around the traps” as they say, for several years and at last arrives for audiences in the Flight Path Theatre, at Addison Rd Community Precinct, in Marrickville. The play is in two acts, set in Paris, France and Canberra, Australia, late in the last century (there is no such thing as the internet or iPhone!) In the first act a very young Peter (Tom Cossettini), decides to leave country Queensland and travel, backpack, his way across Europe.  We meet him in Paris at the Louvre Museum, in…

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The Caretaker

The Ensemble Theatre has asked director Iain Sinclair, who brought Arthur Miller’s play A VIEW FROM THE BRIDGE, a little while ago, to the Ensemble Theatre,  after its initial ‘life’ at the Old Fitz in Woolloomooloo, to a vivid rendering, to revive THE CARETAKER, by Harold Pinter, for us. THE CARETAKER had its first production in 1960 at the Arts Theatre Club, in London, and was transferred to the Duchess Theatre in the West End and ran for 444 performances. This play was Pinter’s 6th play but his first significant commercial success. THE BIRTHDAY PARTY, written earlier in 1958, after…

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End Of.

END OF. is a new monologue written and performed by Ash Flanders, Directed by Nicholas Nicolazzo. Here is what you can expect to see after you have climbed the stairs at the SBW Stables Theatre Says the publicity blurb: OUTRAGEOUS. CONFESSIONAL. UNEXPECTED. “There’s no crueler thing you can say to an actor than ‘Don’t give up your day job’. Fortunately, thanks to cover bands and theatre restaurants, ASH FLANDERS never needed one. But after years of glittering appearances on stages and school gyms across the country, Ash unceremoniously finds himself seated at a computer terminal in a decidedly un-sparkly corporate office. No…

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