Month: June 2016

  Brilliant Adventures in association with bAKEHOUSE Theatre Company, presents STRAIGHT by D.C. Moore, adapted from the film HUMPDAY, by Lynn Shelton, at the Kings Cross Theatre (KXT), Kings Cross Hotel, June 16 – July 2. STRAIGHT is a play by British playwright, D.C. Moore, based on the 2009 film HUMPDAY, by Lynn Shelton. Lewis (Simon London) and Morgan (Madeline Jones) own a one room apartment in London, bought at the pointy-end of the market and consider whether they can begin a family. Before anything transpires in that Direction, Waldorf (Sean Hawkins) arrives, dangling his dick through the letter box…

Photo by Keith Saunders Opera Australia presents CARMEN, an opera in four acts by Georges Bizet, Libretto by Henri Meilhac and Ludovic Halevy after the novella by Prosper Merimee, in the Joan Sutherland Theatre, at the Sydney Opera House. June 16 – August 12, 2016. This is a new production of CARMEN, by John Bell for Opera Australia (OA), opening the 2016 Winter Season. A major event , then. I had had, as a kid, a copy of an old 78 recording of Lawrence Tibbett, singing his ‘swaggering’ Escamillo’s Toreador Song – played ad nauseam , according to my siblings,…

Cross Pollinate Productions and Old 505 Theatre present THE BLOCK UNIVERSE (or so it goes), by Sam O’Sullivan, at the Old 505 Theatre, Level 1, 5 Eliza St, Newtown, 7 June – 25 June. The Block Universe is a theory about time: This moment. This moment that you are in right now, reading [this blog]. This moment has always happened, will always happen, will always be about to happen and is happening simultaneously with every moment in the history of Time. This is the idea at the centre of this new Australian play, by first-time writer, Sam O’Sullivan, and that…

Photo by Ross Waldron Don’t Look Away in association with Red Line Productions present INNER VOICES, by Louis Nowra, at the Old Fitz Theatre, Cathedral, Wooloomooloo, 15 June – 9 July, 2016. INNER VOICES is one of Louis Nowra’s early plays (1977). It is a ‘speculation’ around the  determination of the Guards in organising the succession to the Russian throne. In 1764, Ivan, (Ivan VI),  a rival to Catherine the Great, has been locked as a child in a prison cell, and is, in this play, propelled to a position of Rule through the ambitions of some greedy power brokers,…

  Michael McStay and Red Line productions present, BRIGHT THOSE CLAWS THAT MAR THE FLESH, by Michael McStay, at the Old Fitz Theatre, Wooloomooloo. A late night production (9.30pm). 31 May – 11 June. BRIGHT THOSE CLAWS THAT MAR THE FLESH, is a new Australian play by Michael McStay. Mr McStay also Directs. Bertin Brotowski (Sam Trotman) is preparing a space for a meeting of people in need of counsel. A silent, staring figure, Leda Swan (Hayley Sullivan) is already waiting. Edmundia Dante (Zoe Jensen), a knight errant, arrives and is followed by Orson Rubb (Nick Masters), Tabitha Mendaciad (Meg…

Photo by Brett Boardman Belvoir presents THE GREAT FIRE, by Kit Brookman, in the Upstairs Theatre, Belvoir St Theatre, Surry Hills, 6 April – 8 May. I saw this production weeks ago, towards the end of its run. My impression of the play was that of an ambitious but lumbering four-act play in the mode of Chekhov. It reminded me, mostly, in Australian terms, of Alex Buzo’s BIG RIVER (1985) – another big family saga, set in a big rambling house on the Murrumbidgee/Murray River basin, based on the history of the writer’s own family but set toward the end of…