Month: March 2017

  PYT FAIRFIELD presents, TRIBUNAL, a devised verbatim work led by Karen Therese, at the PYT Performance Space in Fairfield. 2 March – March11. TRIBUNAL, was presented last year in a short and sold out season at the SBW Stables Theatre. This re-mounting of the work has been prepared for the local audience of Fairfield, the ‘home’ of the young theatre company. What was exciting about the showing in Fairfield is to experience the sense of community and its support for one another. In the foyer we were regaled by The Choir of Love, invited to dance, and offered coffee…

  Bell Shakespeare present, RICHARD 3, by William Shakespeare, in the Playhouse Theatre, at the Sydney Opera House. 25 February – 1st April. RICHARD III is a play written by William Shakespeare c. 1592, early in his career. The Bell Shakespeare present at the Sydney Opera House RICHARD 3,  a dramaturgical collaboration between Director, Peter Evans and actor Kate Mulvany using the Shakespeare original. The play has been hand-crafted with this actor and company in mind, it seems. This is their third collaboration, JULIUS CAESAR and MACBETH, being the previous two. Kate Mulvany is also playing this Richard 3, and…

  Australian Brandenburg Orchestra, presents HANDEL’S MESSIAH, in the City Recital Hall, Angel Place, Sydney. March, 2017. Paul Dyer, leader of the Australian Brandenburg Orchestra, has invited a young theatre Director, Constantine Costi, to prepare, with him, a performance of George Frederic Handel’s, MESSIAH. In a speedy two hour performance, including interval, this great and famous English Oratorio, has all barefooted – orchestra, chorus, soloists and conductor – perhaps, that the reason for fleet-footed tempo. THE BAREFOOT MESSIAH, in the City Recital Hall. In the program notes we are told that Handel always intended his oratorios as entertainment, to be…