Year: 2019

RAINBOW’S END, is a play by Jane Harrison, author of STOLEN (1998). Both of these plays have become part of the school HSC syllabus. RAINBOW’S END, written in 2005, is an evocation of the lives of three generations of First Nation’s women: the Yorta Yorta nation, in the 1950’s, in the Northern Victoria region of Sheparton and Mooroopna, on the banks of the Goulburn River. It is the gentle and tender telling of some social studies indigenous history. The history of the women seeking justice by voicing the need for better housing for their families, and finding that power through…

LIFE OF GALILEO, by Bertolt Brecht has been adapted by Tom Wright for this present Belvoir Theatre production. My introduction to the Galileo play was through the British translation into English by John Willlett. It was this that I first read as an acting student years ago, and re-read before seeing this production, along with the translation that Brecht had worked with the actor Charles Laughton that premiered in Los Angeles in 1947. Brecht had exiled himself from Nazi Germany with the rise to power of Adolph Hitler, and while in Switzerland began working on this play between 1937-39, it…

WINK, is an American play by Jen Silverman. Earlier in the year we saw a production of another of her plays: THE MOORS. Sophie (Eloise Snape) and Gregor (Graeme McRae) are recently married but now drifting apart. Sophie has a cat. For Gregor, Sophie’s attachment to their cat Wink (Sam O’Sullivan), is too uncomfortable for him to endure. He skins the cat – murder’s it – and keeps it’s pelt of fur in a box that becomes a sexual face-stroking turn-on! Sophie and Gregor coping with the loss of the cat see their therapist, Dr Frans (Matthew Cheetham), who becomes…

CITY OF GOLD, is a new Australian play written by actor, Meyne Wyatt – his first play. And what a debut play it is! Writing a play was a plan that Meyne Wyatt had thought would happen in the future when he felt more established as an artist. He was not yet ready. Then, a ‘perfect storm’ of personal events caught him off-guard and accumulated into an overwhelming state of depression that conjured a responding energy, driven by a ‘rage’, that forced him to sit down and write. Writes Meyne in the program notes: So, I did what many first-time…

TABLE, is a 2013 play by British playwright, Tanya Ronder. David Best builds a table in London somewhere. It is later taken to Tanganyika, by a family member, Sarah, as part of her missionary ‘dowry’. It shares in the ‘adventures’ of this family and in due course returns to South London. A table, six generations. A table that witnesses the dramas and triumphs of the family Best. The play is a neat old-fashioned evening and has the talents of the actors playing 23 different characters over a century or more to bring it passionately to life. Julian Garner is most…

I had just finished my schooling in a traditional Catholic school and was investigating what ‘real’ life was like outside the indoctrinations of that institution, at Teacher’s College and University. I was only 16 turning 17 but even then I had become a cinema addict – escaping real life?, how immaturely ironic, eh? – and although my breeding, of late, was mostly school holiday Disney or Jerry Lewis comedies (except, of course, the free-to-air television repertoire), I took myself off to one of the ‘risqué’ Cinema Art Houses (The Savoy?) I had read about in The Daily Mirror, in Sydney,…