Performing Arts Reviews:
2008–2022

The Ensemble Theatre has asked director Iain Sinclair, who brought Arthur Miller’s play A VIEW FROM THE BRIDGE, a little while ago, to the Ensemble Theatre,  after its initial ‘life’ at the Old Fitz in Woolloomooloo, to a vivid rendering, to revive THE CARETAKER, by Harold Pinter, for us. THE CARETAKER had its first production in 1960 at the Arts Theatre Club, in London, and was transferred to the Duchess Theatre in the West End and ran for 444 performances. This play was Pinter’s 6th play but his first significant commercial success. THE BIRTHDAY PARTY, written earlier in 1958, after…

DEATH OF A SALESMAN, written by Arthur Miller in 1948, produced in 1949, tells the story of an ordinary American family: the Loman family. Father/husband Willy (Jacek Koman), Mother/wife Linda (Helen Thomson), Sons Biff (Josh McConville) and Happy (Callan Colley). Biff is 34 and has returned home to Brooklyn, after an adventure in the cowboy world of the horse for dog meat Misfits, in a dilemma of disillusionment, seeking confession with his socially degraded brother before confronting his father with a shared secret that has eaten up half of his life, that will devastate his mother and push Willy to…

SEVEN METHODS OF KILLING KYLIE JENNER, is a 2019 play, by Jasmine Lee-Jones. It premiered at the London based ROYAL COURT THEATRE – a theatre company that is a factory (meant in a complimentary way) producing some of the best new work that there is to see. If we are ever are able to get over to London again in our lifetime, this is a theatre that should always be on your list of must attend no matter what is showing. (In fact, I advise, no matter what you have read from the British critics, go. The standard of work…

Part way through Act One of the Sydney Theatre Company’s production of Tennessee Williams, CAT ON A HOT TIN ROOF, Directed by Kip Williams (and it was probably only twenty minutes or so into the text), I knew that I was having an experience in the theatre that was what I recognise as an experience of Grand Theatre. Watching this production of Kip Williams was the equivalent to me of what I have often experienced in the three hour or more in a Wagner Opera experience – a “Grand Olde Opry” experience, one that through its writing and the endurance…

Says Bernard Shaw in his Preface to the play of SAINT JOAN: Joan of Arc, a village girl from Vosges, was born about 1412; burnt for heresy, witchcraft, and sorcery in 1431; rehabilitated after a fashion in 1456; designated Venerable in 1904; declared Blessed in 1908; and finally canonised in 1920. She is the most notable Warrior Saint in the Christian calendar, and the queerest fish among the eccentric worthies of the Middle Ages. Though a professed and most pious Catholic, and projector of a Crusade against the Husites, she was in fact one of the first Protestant martyrs. She…

With this year adaptations of Shakespeare’s MEASURE FOR MEASURE and Carlo Goldoni’s THE SERVANT OF TWO MASTERS, Sport For Jove (SFJ) present their ninth summer season at Bella Vista Farm, and in Leura, in the Everglades Gardens. Lizzie Schebesta, the Director of MEASURE FOR MEASURE, declares in her program notes to be ‘an unashamedly feminist theatre maker and will frack my way into a play to bring out its female voice.’ So with excision of text – even a whole sub-plot and several characters – and much re-writing, with a Design concept (Sallyanne Facer) that liberally borrows from contemporary television…

IN THIS LIGHT, is a new Australian play by actor, Noel Hodda. This play has been “around the traps” as they say, for several years and at last arrives for audiences in the Flight Path Theatre, at Addison Rd Community Precinct, in Marrickville. The play is in two acts, set in Paris, France and Canberra, Australia, late in the last century (there is no such thing as the internet or iPhone!) In the first act a very young Peter (Tom Cossettini), decides to leave country Queensland and travel, backpack, his way across Europe.  We meet him in Paris at the Louvre Museum, in…

END OF. is a new monologue written and performed by Ash Flanders, Directed by Nicholas Nicolazzo. Here is what you can expect to see after you have climbed the stairs at the SBW Stables Theatre Says the publicity blurb: OUTRAGEOUS. CONFESSIONAL. UNEXPECTED. “There’s no crueler thing you can say to an actor than ‘Don’t give up your day job’. Fortunately, thanks to cover bands and theatre restaurants, ASH FLANDERS never needed one. But after years of glittering appearances on stages and school gyms across the country, Ash unceremoniously finds himself seated at a computer terminal in a decidedly un-sparkly corporate office. No…

LET THE RIGHT ONE IN (Lat den ratte komma in), is a Gothic Horror novel by Swedish writer, John Ajivide Lindquist, published in 2004. The novel re-enlivened the Vampire mythology, such that the artistic rights were swiftly bought for a film and brought it into the modern scene. The screenplay was written by Lindquist and Directed by Tomas Alfredson and released in 2008. It was an international success, praised for its writing, ravishing cinematography by Hoyte van Hoytema and Musical score by Johan Soderqvist. The principal casting was lauded as well. The central characters are required to be played by two young actors (12-13…

The Darlinghurst Theatre Company has curated a play written by a black British writer – playwright, poet -/performance artist/theatre maker, Travis Alabanza (they/them) called OVERFLOW (2020). Set in a fashionable gleaming night club bathroom we meet a trans femme, Rosie (Janet Aderson (she/her), who has locked herself in the bathroom and begins talking of ‘the joy of the pre-emptive piss’ that leads to many further anecdotal recall of the personal distress she has experienced in such spaces – this politically sensitive liminal space – that emotionally triggers a reaction that causes her to block the sinks, toilet and floor drain with…

Life is full of plans with “twists and turns’ unexpectedly pointing one to adventures that can be either a positive or negative event. Recently, two acquaintances were unable to take up their Subscription Tickets to a concert at the Sydney City Recital Hall in Angel Place, and gave them to another friend who, then, been rebuffed by a ‘gentleman caller’ asked if I would like to accompany her instead. Indeed, I could. I had no knowledge of the program I was to attend but really chuffed to meet and greet my friend and hear some music with a live orchestra.…