Performing Arts Reviews:
2008–2022

At the Darlinghurst Theatre – a co-op space – I saw a new Australian play, The World Premiere of MEN, LOVE AND THE MONKEYBOY by Caleb Lewis. The Ape and Homo Sapiens shares 97% of the same DNA. The play tells us this early on. We then see the other 3% acted out, mostly men and women behaving badly. The Direction (Christopher Hurrell) is not good or when I saw it, late in the season, the actors had lost discipline. The Design is not very useful and the staging is adequate. The Acting style is pitched somewhere between Television Situation…

Opening in Melbourne in late February, Tom Stoppard’s ROCK AND ROLL, opened at the Sydney Theatre April 14th. It is sad to realise that this is the first new play by Stoppard that Australian audiences have seen since ARCADIA some 13 or 15 years ago. This is what? The result of the Impoverishment of the Arts in Australia? Impoverishment of Financial Support or Intellectual Thought ,or Artistic Vision? I hope it was the first. We recently had Mr Stoppard in Sydney to give a talk. It was a full house with an eager audience. How embarrassing that we have not…

Company B’s presentation of ANTIGONE, a version of Sophocles’ play by Seamus Heaney, is a beautiful version which Heaney alternatively called THE BURIAL AT THEBES. Here at least is a young director that cares about the text and seems to respect what actors do. Alas, Chris Kohn, the director, along with his designer Dale Ferguson have made an error by setting this play in a rundown Community Hall on some undernourished housing estate. He immediately reduces the power of the piece. They dress the actors in down market costume, not clothing, so from the given visual circumstances I can’t match…

MOVING TARGETS by Marius von Mayenburg (translated by Maja Zade) was developed from scratch with the director Benedict Andrews over several years of collaboration, since 2005, with 6 hand picked Australian actors. From discussions the actors were given “a book called THE SECRET PROJECT”, which was the source of company discussions and improvisations etc. What was intriguing for me was the fact that this work of Mr Andrews was to be around an original work developed by him with a living and present writer. I have been puzzled by the other work of Mr Andrews for many years, and the…

I traveled to Adelaide for part of its International Arts Festival. Two works stood out for me. TO BE STRAIGHT WITH YOU, a production by DV8 Physical Theatre, led BY Lloyd Newson from Great Britain. On every level from the verbatim text, the politics, the skills of the performers (especially in their clarity of storytelling whilst dancing or moving even skipping), the video artists and the exhilarating technology that supported it all, this was great theatre.  I often lament that the theatre is too tame and all too often a bourgeois comfort of sedation. It was thrilling to be stirred…

Tim Supple’s A MIDSUMMER NIGHT’S DREAM was in Sydney as part of its international tour. It was physically robust, sexy, and funny with hints of darkness. Spoken in seven languages the play was superbly told without the assistance of surtitles. In fact it was supremely funnier and more engaging than THE SYDNEY THEATRE ACTING COMPANY’S portentous/pretentious moribund production by Edward Dick last year. The sheer delight of the performers in performing accompanied by a live orchestration was refreshing and memorable.