Category: Alison Whyte

Sydney Theatre Company presents THE TESTAMENT OF MARY, by Colm Toibin, in the Wharf 1 Theatre, Walsh Bay, 13 January – 23 February. I trained as an actor and have spent a long time/career teaching actors, so, I am just saying, as someone who has a high regard for acting and actors: The last productions from the Sydney Theatre Company (STC) for their Sydney audience concluded five weeks ago (or so) with the closing of A FLEA IN HER EAR (9 actors), SPEED THE PLOUGH (3 actors) and THE WHARF REVUE (4 actors). In the mean time Christmas and New Year, and…

Photo by Brett Boardman Belvoir presents, THE FAITH HEALER, by Brian Friel, in the Belvoir Upstairs Theatre, Belvoir St, Surry Hills, 26 October – 27 November. The lights faded to black. The play, THE FAITH HEALER, was finished. The stage lighting came back up and it was a kind of surprise, shock, wonder, when on the furniture-empty raised platform, surrounded by a panorama of painted tumultuous clouds, only three actors stood there to take the curtain call. Colin Friels, Alison Whyte and Pip Miller. They looked so few on that, what appeared to be now, very spare space. For in…

  Sydney Theatre Company presents A Sydney Theatre Company and Malthouse Theatre production, LOVE AND INFORMATION, by Caryl Churchill, in the Wharf 1 Theatre, Pier 4, Hickson Rd, Walsh Bay, 9 July – 15 August. LOVE AND INFORMATION is a 2012 play by Caryl Churchill. Caryl Churchill is one of the most interesting contemporary playwrights and has always been a leader in investigating literary playwriting ‘form’ and unafraid to examine the social/political context of the world she lives in and writes for. Her provocative gaze came to blazing focus as far back as 1976 with her LIGHT SHINING IN BUCKINGHAMSHIRE…

Sydney Theatre Company and Allens present TRAVELLING NORTH by David Williamson at Wharf 1, Hickson Road, Walsh Bay. David Wiiliamson’s TRAVELLING NORTH was first performed at the Nimrod Theatre, Sydney, in August, 1979, directed by John Bell. This play was the ninth in an output that had established David Williamson as the most prolific and ‘bankable’ writer that the Australian theatre had ever produced: THE REMOVALISTS (1971), DON’S PARTY(1971), THE DEPARTMENT (1975), THE CLUB (1977), amongst others, were proof of that last claim. To produce a David Willliamson play was to virtually ensure a good box office return – money in…

  Sydney Theatre Company, Melbourne Theatre Company and Allens present AUSTRALIA DAY by Jonathan Biggins In the Drama Theatre, Sydney Opera House. AUSTRALIA DAY by Jonathan Biggins is an amusing, ‘comic-strip’ sketch scenario, a “softly’ satirical comment on contemporary Aussie social and political mores that we, the audience, recognise as part of our daily lives, involving some classic, characteristic, Aussie types, whom we, also, recognise. Transfer your knowledge of the commedia dell’arte or the Moliere character ‘types’ to the Aussie milieu. The highly prejudiced but heart of gold irascible hard nut: Wally (Peter Kowitz); the smooth, handsome political operator with…

  Melbourne Theatre Company presents RICHARD III by William Shakespeare at the Sumner Theatre, Melbourne. This is my third meeting with the Duke of Gloucester- Richard III in the last couple of years. Firstly, the extraordinary one hour ‘reduction’ created by Pamela Rabe and Benedict Andrews, to serve that Director’s particular agenda for his vision of the great cycle of the historic rivalry between the Houses of York and Lancaster in the Sydney Theatre Company’s THE WAR OF THE ROSES, based on Shakespeare’s eight plays, where The Duke was played as a petulant brat- “a monstrous clown” cavorting in a…