Category: Andrew Tighe

Photo by Prudence Upton Ensemble Theatre presents, TAKING STEPS, by Alan Ayckbourn, at the Ensemble Theatre, Kirribilli. 23 November – 13 January. The Alan Ayckbourn play TAKING STEPS, written in 1979, the twenty-fourth opus from his ‘genius’ (now having completed some 79 plays, the last one – so far – called ROUNDELAY, in 2014), is part of a faithful commitment of The Ensemble Theatre to his work and underlines the entertainment value that he inevitably delivers for audiences. There is usually some ‘challenge’ that the writer has given himself, for the audience’s delectation, in all of his plays, and in…

Sydney Theatre Company and Allens present TRAVELLING NORTH by David Williamson at Wharf 1, Hickson Road, Walsh Bay. David Wiiliamson’s TRAVELLING NORTH was first performed at the Nimrod Theatre, Sydney, in August, 1979, directed by John Bell. This play was the ninth in an output that had established David Williamson as the most prolific and ‘bankable’ writer that the Australian theatre had ever produced: THE REMOVALISTS (1971), DON’S PARTY(1971), THE DEPARTMENT (1975), THE CLUB (1977), amongst others, were proof of that last claim. To produce a David Willliamson play was to virtually ensure a good box office return – money in…

The National Theatre of Great Britain and Global Creatures present WAR HORSE, based on the novel by Michael Morpurgo, adapted by Nick Stafford, at the Lyric Theatre, Star Casino, Sydney. I saw WAR HORSE in London in January, 2010 (please read the earlier blog as well – for a fuller appreciation, of this great work). WAR HORSE from the National Theatre of Great Britain is a shining example of what is possible when a theatre organisation has clear and broad concepts of what a theatre company can do for its community. WAR HORSE was building on the success of, among others,…

Ruminations: THE SEAGULL, UNCLE VANYA, THREE SISTERS and THE CHERRY ORCHARD, the four great plays of Anton Chekhov. THREE SISTERS is my favourite and the greatest in my estimation. UNCLE VANYA is the smaller gem and my next favoured. Both great, mostly, differing only, in the scale of their scenarios. What makes the works of Chekhov a favourite exploration for actors and audiences (especially, if you have the opportunity to see the works regularly, as in Europe, where they are a staple of the theatre ‘diet’) is the endless possibility of interpretation. The fine ambiguity of the Chekhovian text (I…