Category: Anna Trelogan

  Bell Shakespeare presents THE TAMING OF THE SHREW by William Shakespeare at the Playhouse at the Sydney Opera House. “[T]he last scene is altogether disgusting to modern sensibility. No man with any decency of feeling can sit it out in the company of a woman without being extremely ashamed of the lord-of-creation moral implied in the wager and the speech put into the woman’s own mouth. Therefore the play, though still worthy of a complete and efficient representation, would need, even at that, some apology.” – George Bernard Shaw, 1897. My first consciousness of this play is the endearing…

GRIFFIN THEATRE COMPANY present RANTERS THEATRE production of HOLIDAY by Raimondo Cortese at THE SBW STABLES THEATRE.   When we climb up to the performance space at the SBW Stables you find that the whole of the interior has been painted white. (Set design: Anna Trelogan) Stage floor and walls, auditorium walls and even the further steps into the seating banks. The whiteness is quite a visual shock. Instead of the usual masking black paint there is the nakedness of the white that emphasises all the ugly blemishes of every surface. The production has been showing for several weeks, when…

Sydney Theatre Company and Bell Shakespeare present VENUS & ADONIS by William Shakespeare. A Bell Shakespeare and Malthouse Melbourne co-production developed through Mind’s Eye.   From Ted Hughes’ Shakespeare and the Goddess of Complete Being: “By the time (Shakespeare) emerged into history… he had written the Henry VI trilogy, Titus Andronicus and two or three successful comedies. His foothold on the stage, as can be seen in hindsight was firm. But he must have been aware that at any moment the stage itself could founder… In the Autumn of 1592, when an unusually severe outbreak of plague had closed all…