Category: Anton Chekhov

Dear Reader, You may have detected a slight fall off of my Diary reports on theatre experiences of late. My explanation is that I have been engaged in rehearsals for the Sport For Jove production of Anton Chekhov’s THREE SISTERS. It is now playing in the Reginald Theatre at the Seymour Centre. It is a piece of serendipitous timing as this ‘reflection’ happens to be my 1000th entry to my Theatre Diary blog! As someone in Muriel’s Wedding says: “What a coincidence!” Sport For Jove asked whether I would like to direct a production for them, way back in 2013.…

The Sydney Theatre Company (STC) recently presented a play by Andrew Upton called THE PRESENT, which was an adaptation of an unwieldy text by Anton Chekhov known, mostly, under the title of PLATONOV (1881). It was never published, even read, until well after the death of its author (It was published posthumously in 1923). So, what PLATONOV, can be about, as we have, historically seen, can be very different, depending on the inclination of the Writer/Director. Anton Chekhov’s first published and produced play was IVANOV, in November, 1887. In 1884 Chekhov had graduated from Moscow University as a Doctor, the same…

THE PRESENT, is an adaptation by Andrew Upton of the, Russian, Anton Chekhov play, PLATONOV. PLATONOV was a play found “among papers ‘accessioned to the Central State Literary Archive in 1920.’ from items found in a Moscow bank depositors safe. This box was that of M.P. Chekhov – Maria Pavlovna Chekhov’s safe deposit box. She, the fiercely devoted sister of Anton. In 1923, the Soviet literary scholar, Nikolai Belchikov, introduced and annotated the previously unpublished play by Anton Chekhov. There is no certainty about when the play was written, but it seems there is some plausibility given to the idea…

VICTORY by Howard Barker was the last time that Judy Davis was on stage in Sydney. It was to see her that I bought my tickets to attend THE SEAGULL at Belvoir. To be able to watch Ms Davis on stage again, is too thrilling an opportunity to miss. A lot of other people have felt the same. The season was sold out – all but standing room – for weeks before the opening. Some of my friends bought their tickets despite the fact that it was another Chekhov play, the recent Sydney Theatre Company production of UNCLE VANYA having…

THE KISS directed by Susanna Dowling, is a staged reading of four short stories, unedited for the stage, by Guy De Maupassant, Peter Goldsworthy, Kate Chopin and Anton Chekhov. What all the stories have in common is the action of a kiss. “They (the writers) reveal a kiss to be a marker of something changing forever; a transgression; a boundary crossed; a door opened…. Each story has a strong sense of foreboding of what comes after the kiss – regret, compromise, disillusion, pain, a loss of innocence.” The four actors, Catherine Davies, Rita Kalnejais, Yalin Ozucelik and Steve Rodgers and…

Ruminations: THE SEAGULL, UNCLE VANYA, THREE SISTERS and THE CHERRY ORCHARD, the four great plays of Anton Chekhov. THREE SISTERS is my favourite and the greatest in my estimation. UNCLE VANYA is the smaller gem and my next favoured. Both great, mostly, differing only, in the scale of their scenarios. What makes the works of Chekhov a favourite exploration for actors and audiences (especially, if you have the opportunity to see the works regularly, as in Europe, where they are a staple of the theatre ‘diet’) is the endless possibility of interpretation. The fine ambiguity of the Chekhovian text (I…