Category: Bell Shakespeare

Photo by Lisa Tomasetti Bell Shakespeare presents HENRY 4 adapted by John Bell from William Shakespeare’s KING HENRY IV: PART ONE and KING HENRY IV; PART TWO, at the Drama Theatre, in the Sydney Opera House. John Bell has adapted the two History plays, HENRY IV Parts One (1596-97) and Two (1597-98) into a three-hour ten-minute journey. These two plays were written after HENRY VI, Parts One ((1590-91), Two (1590-91) and Three (1590-91); RICHARD III (1592); RICHARD II (1595-96) but, before Henry V (1599). All part of the chronicles dealing with The War of the Roses. The two parts of…

  Bell Shakespeare presents THE SCHOOL FOR WIVES – a Comedy by Moliere in The Playhouse at the Sydney Opera House. THE SCHOOL FOR WIVES (1642) was written by Moliere for performance at the French Court of King Louis XIV (the Sun King) who was the patron of Moliere’s company of actors. TARTUFFE (1664); THE MISANTHROPE (1666); and THE IMAGINARY INVALID (1673), were to follow, as the acknowledged masterpieces, amongst other works. Moliere is considered the author of some of the most popular comedies in all theatrical history. The major obstacle to the success of these plays in English is,…

photo by Rush The Bell Shakespeare Company present THE DUCHESS OF MALFI in The Playhouse, at the Sydney Opera House. The Bell Shakespeare Company presents THE DUCHESS OF MALFI, the cast and collaborators handout and list in the actual program, announces. It is odd that those “announcements”, even the cover page of the actual program, does not register the actual writers’ names: Hugh Colman and Ailsa Piper. No mention of the writer of the original play is claimed or made in the advertising, either (although, the theatre program is an exemplar of historical research of background to the John Webster…

  Bell Shakespeare present JULIUS CAESAR by William Shakespeare at the Playhouse, Sydney Opera House. Dear Diary, I am going to fulminate. William Shakespeare’s JULIUS CAESAR has been adapted for the Bell Shakespeare Company by playwright/actress Kate Mulvany with the Director, Peter Evans. Ms Mulvany makes a confession in her program notes that “Until this time last year, JULIUS CAESAR was not a play that I held close. Like many others, it was ‘that play about war and men and togas and speeches’ “. Well to be pedantic, there are only three others like it, in the Shakespeare canon, that…

BELL SHAKESPEARE presents MUCH ADO ABOUT NOTHING by William Shakespeare at the Drama Theatre, in the Sydney Opera House. A set design (Stephen Curtis) sits in the space in a dominating fashion. A giant fresco wall of romantic images of giant mythical figures, the impact luscious at first glance, but on closer study reveals signs of wasting on the edges and hasty repair and ‘gutting’ by a large folding door, centrally. Pieces of odd and ruined furniture spread across the room – a piano of ruined tones and wear, included. There is a sense of a time when the wealth…

    Bell Shakespeare presents TWELFTH NIGHT by William Shakespeare in the Playhouse at the Sydney Opera House. TWELFTH NIGHT is the last of Shakespeare’s comedies and it precedes the appearance of HAMLET. In an essay by Stanley Wells on John Barton’s production of TWELFTH NIGHT – my first remembered experience of this play, a magical one at the old Theatre Royal, in tandem with Trevor Nunn’s THE WINTER’S TALE starring Judi Dench as Viola and Hermione/Perdita- (Manchester University press,1976): “HAMLET is one of the most controversial of Shakespeare’s plays. It has been endlessly discussed, and poses major interpretative problems.…