Manna
I am a fan of Max Lyandvert’s interests. Fully enthused by his work on the puzzling but intriguing Richard Foreman’s works MY HEAD WAS A SLEDGEHAMMER and NOW THAT COMMUNISM IS DEAD MY LIFE FEELS EMPTY and his sound work on so much of my theatre going in Sydney. Dan Spielman I know as an actor with indelible memories of some of his luminous story telling skills in Barrie Kosky’s recent production of THE LOST ECHO adapted mostly from Ovid’s METAMORPHOSES. It seems that these two artists met and have mutually inspired each other and developed a project that attempts…