Category: Hartley T A Kemp

Photo by Brett Boardman GRIFFIN THEATRE COMPANY presents the World Premiere of DREAMS IN WHITE by Duncan Graham at the SBW Stables Theatre, Kings Cross. DREAMS IN WHITE by Duncan Graham is directed confidently by Tanya Goldberg. Her cast comprising Lucy Bell, Mandy McElhinney, Andrew McFarlane, Steve Rodgers in multiple roles and Sara West in a solo requirement, as the young daughter, give performances of great commitment and skill, switching from one persona to another without hesitation, from demand to demand made by the writing. The Design by Teresa Negroponte, of a charcoal grey floor and walls with white opaque…

  Arts Radar, Theatre503 and Griffin Independent present RAPID WRITE: HOLLYWOOD ENDING or, How A Washed up Director Made a Crappy Movie that Almost Destroyed the World by CJ Johnson at SBW Stables Theatre, Griffin, Kings Cross. In HOLLYWOOD ENDING, Don (Terry Serio) is a filmmaker of pornography, a director at the ‘lower’ end of the Hollywood industry. He has ambitions, as all who work creatively do, to make a work that is ‘great’. Amy (Briallen Clarke) is a film producer working with Randy (Blake Erickson), a writer. They have a project with a small budget that they wish to…

  Sydney Theatre Company and UBS Investment Bank present LES LIAISONS DANGEREUSES by Christopher Hampton from the novel by Pierre Choderlos De Laclos at the Wharf 1 Theatre, Sydney Theatre Company. LES LIAISONS DANGEREUSES was adapted by Christopher Hampton from the 1780, epistolary novel by Pierre Choderlos De Laclos, for the Royal Shakespeare Company in 1985. A play about love and revenge. A play about betrayal and cruelty. In Sydney, the Nimrod Theatre Company produced this play at the Seymour Centre in 1987 with Hugo Weaving as Le Vicomte De Valmont and Angela Punch-McGregor as La Marquise de Merteuil. 25…

  Sydney Theatre Company present: In the Next Room, or The Vibrator Play by Sarah Ruhl, in the Drama Theatre at the Sydney Opera House. “If Henrik Ibsen and Oscar Wilde had decided to collaborate on a post-modern drawing-room comedy, the hotsy-totsy twosome surely would have turned out something very much like Sarah Ruhl’s genuinely hysterical new work,” (Theatremania). This is a quote from the Sydney Theatre Company’s advertisement for the show. It is a delightfully pitched idea, and I tend to agree with it. Sarah Ruhl is one of the new American writers making a splash, through dint of…