Category: Kip Williams

Sydney Theatre Company presents The Most Excellent and Lamentable Tragedy of ROMEO AND JULIET by William Shakespeare in the Drama Theatre at the Sydney Opera House. Kip Williams, the Director of this production of ROMEO AND JULIET, tells us in his program note: … When I came to reread ROMEO AND JULIET with a mind to direct it, I was struck less by the differences between the Montagues and Capulets, and more by the similarities: excessive wealth, unchecked ego, dominant patriarchs, packs of arrogant young men. The ancient grudge between the families felt like it could easily be the kind…

  Fiona Boidi and Kate McBride in association with Tamarama Rock Surfers Theatre present FALLOUT by Maree Freeman at the Old Fitzroy Theatre, Woolloomooloo. FALLOUT. This is a new play by Maree Freeman. Last year we saw Ms Freeman’s PICTURES OF BRIGHT LIGHTS at the Bondi Pavilion (May, 2011).  I didn’t comprehend much of this play in this production. The publicity card tells us: In a sealed off room, strewn with broken toys and dress up clothes, the final frontier to freedom must be conquered. Alpha (Gabriel Fancourt), Bravo (Lizzie Schebesta), Charlie (Amanda McGregor) and Delta (Michele Durman) are four teenagers…

  Sydney Theatre Company presents UNDER MILK WOOD. A Play For Voices by Dylan Thomas at the Drama Theatre, Sydney Opera House. UNDER MILK WOOD by Dylan Thomas is A Play For Voices, commissioned by the British Broadcasting Corporation (B.B.C.), broadcast in 1954 and staged at the Edinburgh Festival in 1956 (later, that year at the New (now Albery) Theatre, London). A film was made in 1971 starring Richard Burton and Peter O’Toole – Screenplay by Andrew Sinclair. Dylan Thomas had died in 1953 aged 39. When I was studying at NIDA, whilst, with my class, performing the whole of…

  Sydney Chamber Opera presents, I HAVE HAD ENOUGH. J.S. Bach. Jack Symonds. At the Parade Playhouse, Parade Theatres, Kensington. I HAVE HAD ENOUGH is the third work by this new Sydney Opera Company this year. It has been, then, considering the monumental task of producing opera, a very prolific year. It began with a new work NOTES FROM UNDERGROUND by Jack Symonds and Pierce Wilcox, followed by Leos Janacek’s THE CUNNING LITTLE VIXEN, mid year. I HAVE HAD ENOUGH is the pairing of J.S. Bach’s “Ich habe genung…”(1727) with a reply piece, “Nunc dimitis”, musically different, by Jack Symonds…