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In the Next Room, or The Vibrator Play

  Sydney Theatre Company present: In the Next Room, or The Vibrator Play by Sarah Ruhl, in the Drama Theatre at the Sydney Opera House. “If Henrik Ibsen and Oscar Wilde had decided to collaborate on a post-modern drawing-room comedy, the hotsy-totsy twosome surely would have turned out something very much like Sarah Ruhl’s genuinely hysterical new work,” (Theatremania). This is a quote from the Sydney Theatre Company’s advertisement for the show. It is a delightfully pitched idea, and I tend to agree with it. Sarah Ruhl is one of the new American writers making a splash, through dint of…

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Elling

Photo – Lachy Hulme & Darren Gilshenan – Elling Sydney Theatre Company in association with the Ambassador Theatre group presents ELLING, based on a novel by Ingvar Ambjornsen. Stage adaptation by Axel Hellstenius in collaboration with Peter Naess. Translated by Nicholas Norris. Adapted by Simon Bent. At Wharf 1. ELLING, as you can read (above) comes to us through a very numerous set of creative hands: writers, translators and adaptors, (the screen play of the novel, which was the first of three films based on the books, which was nominated for an Oscar for Best Foreign film in 2002, was…

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The War Of The Roses

    The Sydney Theatre Company, Sydney Festival 2009 present THE WAR OF THE ROSES, Part 1 & Part 2 by William Shakespeare adapted by Tom Wright & Benedict Andrews at the Sydney Theatre. Before we talk of the present production under the title THE WAR OF THE ROSES there will be a preamble of information that I think is relevant. ( Skip forward if you wish.) Shakespeare wrote two tetralogies or eight plays chronicling a turbulent 88 years of English History (from the 1380’s to the 1480’s) covering the reigns of English monarchs from that of Richard II to…

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The Serpent’s Teeth

      The Sydney Theatre Company presents the STC ACTORS COMPANY in THE SERPENT’S TEETH, two plays by Daniel Keene CITIZENS & SOLDIERS at The Drama Theatre at the Sydney Opera House on 24th April 2008.I mention this date so precisely because something rare was happening, for the first time in a long time in the theatre in Sydney I felt that the relevancy of the plays were immediate and concerned my life vitally. The Sydney Morning Herald’s Headline for the day was ‘The going just got tougher. ”It concerned “families on modest incomes” needing to be shielded from…

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