Category: Peter Carroll

LIFE OF GALILEO, by Bertolt Brecht has been adapted by Tom Wright for this present Belvoir Theatre production. My introduction to the Galileo play was through the British translation into English by John Willlett. It was this that I first read as an acting student years ago, and re-read before seeing this production, along with the translation that Brecht had worked with the actor Charles Laughton that premiered in Los Angeles in 1947. Brecht had exiled himself from Nazi Germany with the rise to power of Adolph Hitler, and while in Switzerland began working on this play between 1937-39, it…

Photo by Brett Boardman Belvoir presents, AN ENEMY OF THE PEOPLE, by Melissa Reeves, after Henrik Ibsen, in the Upstairs Theatre, Belvoir St, Surry Hills. 7th October – 4th November. Melbourne writer, Melissa Reeves has adapted Henrik Ibsen’s 1882 play, AN ENEMY OF THE PEOPLE. It has been transposed and adapted to contemporary Australian times: 2018. It is a very faithful set of adjustments and is essentially true to Ibsen’s content and spirit – both his politics and his humour. The original play concerns two siblings, one a Doctor and the other a Politician – he is the mayor of the…

MARK COLVIN’S KIDNEY, is a new Australian play by Tommy Murphy. There are some 28 characters. The play, however, is virtually a two-hander involving a true story concerning Mary-Ellen Field (Sarah Peirse) and Mark Colvin (John Howard). Elle MacPherson, an ex-pat Australian business woman, hires another ex-pat Australian, business advisor, Mary-Ellen Field, to sort out her business arrangements. Some time into their trusting relationship, some negative articles begin to appear in the press. Ms MacPherson, taking advice from other aides, suspects the ‘leaks’ for the said articles were coming from Ms Field. She is gradually removed and loses her job…

Photo by Brett Boardman Belvoir presents THE GREAT FIRE, by Kit Brookman, in the Upstairs Theatre, Belvoir St Theatre, Surry Hills, 6 April – 8 May. I saw this production weeks ago, towards the end of its run. My impression of the play was that of an ambitious but lumbering four-act play in the mode of Chekhov. It reminded me, mostly, in Australian terms, of Alex Buzo’s BIG RIVER (1985) – another big family saga, set in a big rambling house on the Murrumbidgee/Murray River basin, based on the history of the writer’s own family but set toward the end of…

Photo by by Brett Boardman Belvoir presents, A CHRISTMAS CAROL, adapted by Benedict Hardie and Anne-Louise Sarks from the novel by Charles Dickens, in The Upstairs Theatre, Belvoir St, Surry Hills. 8 November – 24 December. In the United States, where I have spent many a Christmas, the two perennial theatre offers were the Tchaikovsky two-act ballet, THE NUTCRACKER, at the Opera House, and a play adaption of Charles Dickens’, A CHRISTMAS CAROL. I have seen several different versions of the Dickens novella staged, and the two at the American Conservatory Theatre (ACT), in San Francisco, umpteen times – it has…

Photo by Pia Johnson Belvoir presents OEDIPUS REX in the Downstairs Theatre, Belvoir St Theatre, Surry Hills. 21 August – 21 September. It is over a month since I saw this “meditation on the myth of OEDIPUS REX.” We enter the theatre and look at a spare space with some plastic sheeting framed roughly in the back left hand corner to form a covered passage way. The lights black out and we submit to a long, extended silence. Somebody blows in my ear – undermining the artistic intent, perhaps, but taking advantage of the much publicised offer? The lights return and…