Category: Robert Cousins

Dear Diary, Please view the Belvoir promotional clip, below, before you begin this ‘epic’ entry. (oh, Puleeease, even if it is tongue in cheek, it epitomises some of the attitude in approaching these works that give me an artist, even, moral, pause. Or, is it just my generational elderliness showing, here? I am just not hip.) CAT ON A HOT TIN ROOF by Tennessee Williams (1955) is another production of a classic American work directed by Simon Stone for the Belvoir Theatre. STRANGE INTERLUDE by Eugene O’Neill and THE DEATH OF A SALESMAN by Arthur Miller were presented last year. Mr Williams…

I have not read PETER PAN in any of the manifestations, by J.B. Barrie, that Tommy Murphy, the present adaptor of this Belvoir production tells us learnedly about, in the program notes. I have not even seen the Walt Disney animated adaptation. I only know it from little snippets on the old Walt Disney show of my growing up, on Sunday nights at 6.30 on Channel 9, watching it in our fibro housing commission in North Ryde. I remember Peter in a costume like Errol Flynn’s Robin Hood, with hands akimbo on his hips, and Captain Hook with a hook…

  Belvoir presents STRANGE INTERLUDE by Simon Stone after Eugene O’Neill at the Upstairs Belvoir St Theatre. This STRANGE INTERLUDE is a new Australian play by Simon Stone after the Eugene O’Neill original, written in 1927, presented on Broadway in 1928 by the Theatre Guild at the John Golden Theatre. This play was awarded the Pulitzer Prize for Drama in 1928. In preparing for the performance of this new play I read the original by Eugene O’Neill. I had read it was once before, many years ago, but barely remembered it, except for the impression that the leading role, that…

  Belvoir produced BABYTEETH by Rita Kalnejais at the Belvoir St Theatre, Upstairs. BABYTEETH by Rita Kalnejais, is a contemporary story of a young fourteen year old girl in the last stages of dying from cancer and the repercussions on her close and extended ‘family’. In the very first scene Millla (Sara West), the girl, dies. The play then travels back in time to show us some of the events that lead to this ending at the beginning of the play. We see it again in dumb show, later. Since we know the ending, perhaps, we can watch the storytelling…

  Sydney Theatre Company presents PYGMALION by George Bernard Shaw at the Sydney Theatre. What is best about this production of PYGMALION by George Bernard Shaw is the opportunity to hear and see this text by one of the great writer’s for the theatre. I believe it is the first time that I have seen or heard it on the stage. Read it, of course, many times and know the beautifully bowdlerised version of it called MY FAIR LADY both on stage and film. In this production by Peter Evans for the Sydney Theatre Company, a production conceived with an…