Category: Stefan Gregory

Dear Diary, I saw this production by Simon Stone of DEATH OF A SALESMAN by Arthur Miller, several weeks ago. I have struggled with my response. I have put it off, and off, and off. For, there were somethings that I enjoyed, and yet, I was very discontented. Ultimately, very, very frustrated and unhappy. It seems that I have only written negative responses to recent work in the two major companies,’houses’, in Sydney. Especially, work concentrated about the recent flurry, nay storm, of the utilising of other writers’ work and reputations, to present, I suppose, what someone feels is a…

Belvoir and Sydney Festival 2012, in association with Carriageworks, present THYESTES by Thomas Henning, Chris Ryan, Simon Stone & Mark Winter after Seneca in Bay 20 at Carriageworks. Originally created by The Hayloft Project. This production of THYESTES playing at Carriageworks is the most perfect piece of dramatic work that I have seen for some time. To be a regular and interested theatre goer and not have seen it will be a great loss to your Sydney theatre experience. Make no excuses. And even if you are an occasional theatre goer or one who through other strictures (lack of lots…

  Belvoir St. Theatre present AS YOU LIKE IT by William Shakespeare in the Upstairs Theatre, Belvoir St. Surry Hills. Eamon Flack follows on from his 2009 production of A MIDSUMMER NIGHT’S DREAM in the Downstairs Theatre at Belvoir Street, with AS YOU LIKE IT in the Upstairs Theatre – a promotion (?) In the program notes to the 2009, A MIDSUMMER NIGHT’S DREAM, Mr Flack tells us that he and his company had “…embraced the spirit of Shakespeare’s play and therefore not the letter.” Two years later, Mr Flack and his company in presenting AS YOU LIKE IT similarly,…

  Belvoir presents NEIGHBOURHOOD WATCH by Lally Katz at the Belvoir St. Upstairs Theatre. NEIGHBOURHOOD WATCH by Lally Katz, a new Australian play, bears a dedication in the printed text and program to Anna Bosnjak and Robyn Nevin. In Ms Katz’s notes to the program she tells us of her encounter with a neighbour, an Hungarian woman, and then of “The next two years (that she) spent constantly with Anna. Often seven days a week, all day and into the night we would talk. We shared everything together. She showed me her memories and the world. I asked her advice…

BAAL by Bertolt Brecht. Translated by Simon Stone and Tom Wright. A co–production of Sydney Theatre Company and Malthouse Melbourne at the Wharf 1 Theatre. If one cares to check out the Alison Croggon’S THEATRE NOTES blog, you’ll notice an amazing 107 comments following her review of BAAL at the Malthouse Theatre (it even drew James Waites into the fray – and he hadn’t even seen it, as of that time!) It was (is) an interesting commotion to follow, and it certainly whetted my appetite to see the work, although, with all the pre-show publicity etc. , it appeared that…

Photo – Alice Parkinson and Conrad Coleby – Lady Macbeth of Mtsensk ARTS RADAR in association with B Sharp present the world premiere of LADY MACBETH OF MTSENSK by Robert Couch, adapted from the novella by Nickolai Leskov in the Downstairs Theatre. Robert Couch and Joseph Couch have taken the 1864 novella by Nikolai Leskov and have adapted and staged it for a 2009 audience. This is a famous story made more famous by the Shostakovitch Opera which we have seen in Sydney this year from the Australian Opera. This version is fairly truthful to the structure of the major…