Category: Steve Rodgers

  Belvoir and Force Majeure present FOOD by Steve Rodgers in the Downstairs Theatre at Belvoir St Theatre. FOOD by Steve Rodgers, directed by Steve Rodgers and Kate Champion of Force Majeure, is just that thing, that elusive but striven for experience, that I explained, in my last theatre blog, was the reason why I so persistently attend the theatre, despite often, huge and many consecutive distresses and disappointments. FOOD is a tiny jewel, a gem of an experience. In a company publicity promotion, that I received from Belvoir, today,written by Simon Stone, FOOD is described as “a feel good”…

THE KISS directed by Susanna Dowling, is a staged reading of four short stories, unedited for the stage, by Guy De Maupassant, Peter Goldsworthy, Kate Chopin and Anton Chekhov. What all the stories have in common is the action of a kiss. “They (the writers) reveal a kiss to be a marker of something changing forever; a transgression; a boundary crossed; a door opened…. Each story has a strong sense of foreboding of what comes after the kiss – regret, compromise, disillusion, pain, a loss of innocence.” The four actors, Catherine Davies, Rita Kalnejais, Yalin Ozucelik and Steve Rodgers and…

Photo – Savage River – Travis Cardona Griffin Theatre Company presents a World Premiere of SAVAGE RIVER by Steve Rodgers. A co-production with Melbourne Theatre Company and Tasmanian Theatre Company at the SBW Stables Theatre, Sydney. Savage River is set in a remote area on the west coast of Tasmania; “Hour–north from Zeehan. A ways south of Arthur River. Savage is two hours east….. (and west?) The Republic of South Africa.” Kingsley (Ian Bliss) , a deeply, psychologically, injured man, has fled with his half caste son, Tiger (Travis Cardona) to the wilderness, in an attempt to protect the boy…

“The Pillowman” won the Lawrence Olivier Award for Best New Play after it was presented in London in 2003. It also was nominated for a Tony Award in 2005 in New York. On this outing I don’t think it will be similarly nominated in any such category in the Sydney Theatre Awards. The play is the same but clearly the production is not. This is the painful risk the playwright must take in the collaborative minefield of the Theatre. This play is set in a Totalitarian State somewhere, sometime. When it was done in 2003 and in 2005 in London…