Category: Sydney Theatre Company

DEATH OF A SALESMAN, written by Arthur Miller in 1948, produced in 1949, tells the story of an ordinary American family: the Loman family. Father/husband Willy (Jacek Koman), Mother/wife Linda (Helen Thomson), Sons Biff (Josh McConville) and Happy (Callan Colley). Biff is 34 and has returned home to Brooklyn, after an adventure in the cowboy world of the horse for dog meat Misfits, in a dilemma of disillusionment, seeking confession with his socially degraded brother before confronting his father with a shared secret that has eaten up half of his life, that will devastate his mother and push Willy to…

I thought, as I sat in the Roslyn Packer Theatre on the Opening Night that GRAND HORIZONS, has a set of characters mirroring the highly successful 9 seasons, 210 episodes, television sitcom, EVERYBODY LOVES RAYMOND (1996-2005 : two elder parents who are abusive and abused – in our case 80 year old Nancy (Linda Cropper) and husband Bill (John Bell), two competitive brothers – in our case married, harried Ben (Johnny Nasser) and hysteric gay son Brian (Guy Simon), and a wife – in our case a very pregnant, patient one called Jess (Zindzi Okenyo). The play has two guest…

This production of 7 STAGES OF GRIEVING, written in 1994 – 1995, by Wesley Enoch and Deborah Mailman, is the fourth one devised by the Sydney Theatre Company (STC). The first production was performed by Deborah Mailman and directed by Wesley Enoch. This new production is performed by Elaine Crombie and Directed by Shari Sebbens. In the 26 years since the original production Time and History has happened. In the reading of the content of the original play, based (built) around the structure from the profoundly influential book by Elizabeth Kubler-Ross: ON DEATH AND DYING (1969), certainly Time has passed…

Dario Fo and his wife, Franca Rame, were a famous team of political clowns. Inspired by the traditions of the Italian Commedia dell’arte – of 16th century origins – comedy sketches that were both scripted and had improvisational freedoms, freedoms that could be pertinent to the political ‘auras’ of the local community they were playing in – using character ‘types’ that the populace recognised by particular masks – both half or full. Fo and Rame began their theatre work as political ‘sketch’ artists lambasting the political authorities in the Italian governmental and institutional hierarchy. They were invited to develop a…

THE BEAUTY QUEEN OF LEENANE was the debut play, from the Irish/English writer Martin McDonagh. There followed a plethora of stunning successful companions to his stage repertoire which audiences looked keenly to see. In Sydney we were impressed with mainstage productions of THE BEAUTY QUEEN OF LEENANE (1996), THE CRIPPLE OF INNISHMAAN (1997), THE LIEUTENANT OF INISHMORE (2001). Elsewhere in the Fringe theatres, A SKULL IN CONNEMARA (1997), THE LONESOME WEST (1997), THE PILLOWMAN (2003), and regular revivals of the Mainstage exhibits arrived. And of course his film repertoire: IN BRUGES (2008), SEVEN PSYCHOPATHS (2012) and THREE BILLBOARDS OUTSIDE EBBING,…

Lewis (Sean Keenan) is a character creation of Louis Nowra that appears in three of his plays, SUMMER OF THE ALIENS (1992), COSI (1992) and THIS MUCH IS TRUE (2017). In COSI, Lewis takes on a job directing some patients of a local mental hospital in a ‘therapy’ production of Mozart’s COSI FAN TUTTI. This is not Lewis’ choice but one foisted on him by the thespian leader of the hospital patients, Roy (Robert Menzies), and his enthusiasm will not be brooked. The play charts the development of the rehearsals and first performance, hilarious in its ups-and-downs, as it negotiates the…