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Long Day’s Journey Into Night

    Sydney Theatre Company in association with Artists Repertory Theatre, Portland present LONG DAY’S JOURNEY INTO NIGHT by Eugene O’Neill at the Sydney Theatre. LONG DAY’S JOURNEY INTO NIGHT by Eugene O’Neill is claimed, by some, to be the great American play, and certainly from my engagement with this play many times in the theatre and in the cinematic form with Katherine Hepburn and Ralph Richardson (reduced as it is), the affect has always inclined me to think so. This long naturalistic work winding through one day into the night with this Irish-American family, the Tyrone’s, in late summer,…

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Like a Fish Bone

Sydney Theatre Company and Griffin Theatre Company present LIKE A FISHBONE: An Argument and an Architectural Model by Anthony Weigh, at Wharf 1. LIKE A FISHBONE: An Argument and an Architectural Model, has The Architect (Marta Dusseldorp) with her Intern (Aimee Horne) about to take a model of their latest project to a presentation meeting to her commissioners when a strange woman, The Mother (Anita Hegh) arrives unexpectedly in the office. Thus we have the model. The Mother is (unaccountably) blind and wet (it is raining). She has been ‘visited’ and spoken to by her daughter, who was killed in…

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Oresteia

Sydney Theatre Company presents the Residents in ORESTEIA by Aeschylus. In a new adaptation by Tom Wright at the Wharf 1. Tom Wright has adapted the Aeschylus ORESTEIA. He is also the Director. It is, “…of course a trilogy. This production isn’t. It’s a version mainly of the first two plays in the trilogy, AGAMEMNON and CHOEPHORI (the Libation Bearers), with a dues ex machina at the end. Apollo’s speech of conclusion is based on his words in Aeschylus’ third play, EUMENIDES, but fundamentally this version isn’t an attempt to present the whole catastrophe. It’s an attempt at a distillation,…

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Honour

  Sydney Theatre Company and Allens Arthur Robinson present HONOUR by Joanna Murray-Smith at the Drama theatre at the Sydney Opera House. Honour is the name of the principal character in this play by Joanna Murray-Smith. From the program notes: “Honour or Honor is the evaluation of a person’s trustworthiness and social status based on that individual’s espousals and actions…” Honour (Wendy Hughes) has been married to George (William Zappa) for 32 years. “Gus (George) has been the authoritative voice for a generation of TRIBUNE readers for almost twenty years…” in an award winning column – and when the play…

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Vs Macbeth

  Sydney Theatre Company and The Border Project in Association with the Adelaide Festival of Arts present VS MACBETH (Most of it) by William Shakespeare at the STC Wharf2. On entering the theatre, a warning sign on computer screens hanging from the front lighting bar, on the sides, tell us to prepare to play Chinese Whispers. The first that was passed along my row of seats was “THIS PLAY IS CURSED.” This was indeed a prescient warning for what followed. This is a collaboration with an Adelaide based company The Border Project and the Sydney Theatre Company via The Residents.…

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Stockholm

Sydney Theatre Company in association with Frantic Assembly present STOCKHOLM by Bryony Lavery at Wharf 1. This is a co-production between the Sydney Theatre Company and an English company, Frantic Assembly. Frantic Assembly is a company that creates and explores physical theatre skills as part of the dramatic language of their productions. Steven Hoggett, one of the co-directors – choreographers of STOCKHOLM (the other being Scott Graham), was associate director of the National Theatre of Scotland’s BLACK WATCH, which was part of the 2008 Sydney Festival. (Best remembered for an inventive physical transformation sequence.) STOCKHOLM was developed in close collaboration…

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