Category: Carriageworks

CAGELING presented by THE RABBLE at Carriageworks, Sydney. THE RABBLE re-imagine Federico Garcia Lorca’s classic text ‘THE HOUSE OF BERNARD ALBA’. From the program notes: “A NOTE ON THE CONTEXT. Lorca leaves the following instruction at the beginning of THE HOUSE OF BENRNADA ALBA: The poet advises that these three acts are intended as a photographic documentary. We have taken these instructions and produced CAGELING – an exploration of repression, gender, sexuality and grief. The premise of the original play remains: our family will mourn for eight years, no weeping is allowed…” Further :”A NOTE ON CONTENT. Our process is…

  Performing Lines with Performance Space present MY GENERATION, WILLIAM YANG at Bay 21, Carriageworks. William Yang has been taking photographs for a very long time. He has had many exhibitions of his work, the first, SYDNEYPHILES at the Australian Centre for Photography in 1977. He has had several books of his works published (I have three of them: Sydney Diaries, Sadness and Friends of Dorothy). MY GENERATION is the tenth full-length performance piece by Mr Yang. They have toured Australia and International Festivals. He is the most internationally toured Australian performer. Two large screens at a slight V-shaped angle…

      Sydney Festival present GISELLE from the Company FABULOUS BEAST led by Director, Michael Keegan-Dolan at CarriageWorks Bay 17. The first performance of GISELLE took place in June 1841 at the Paris Opera. It was conceived by the poet, author Theophile Gautier, inspired by Heinrich Heine’s work, De l ‘Állemange, where he came across a passage concerning “the snow white wilis (spirits of jilted brides) who walz pitilessly the whole night long” and lure and dance to death any who come their way during their dark haunting of the night. The music was sketched in 8 days and…

  Performance Space and THEATRE KANTANKA present MISSING THE BUS TO DAVID JONES at CarriageWorks. MISSING THE BUS TO DAVID JONES is a work developed by KANTANKA THEATRE under the direction of Carlos Gomes with performers/devisers: Valerie Berry, Rosie Lalevich, Arky Michael, Phillip Mills, Katia Molino, Kym Vercoe. This year I have had a very exciting (and hope filled) set of experiences in the Sydney Theatre scene. This work hosted in development by Campbelltown Arts Centre and Performance Space concerns a part of our community that is rarely exposed, explored or even acknowledged: The aged. It is odd since most…

  Performance Space and version 1.0 present THIS KIND OF RUCKUS in Bay 20 at CarriageWorks. In the program notes David Williams, Chief Executive Officer of version 1.0, Producer of this performance, one of the devisers and actual performers tells us “THIS KIND OF RUCKUS is a performance about power, control and violence in intimate relationships. The work explores sexual violence in a range of spheres – from the realm of the domestic, to the judicial system, to the media and popular cultural attitudes, to the recent spate of sexual assault scandals in the sporting arena.” It could be a…

  Performance Space present De Quincey Co in RUN at CarriageWorks, Bay 20. Two years ago De Quincey Co presented, as a site specific experience, a work called THE STIRRING. THE STIRRING had the audience travel around the then relatively “new” performance spaces of the CarriageWorks. In many beautiful and artfully designed and lit spaces,(Like the huge mound of steaming coal, or the deserted and decaying watch-shed beside the busy railway line lived in by a de Quincey dancer, with the clattering of the passing suburban trains lit inside with commuters, blissfully unaware of their performance contribution, moving through the…