Category: Carriageworks

On the card used for publicity it states “TRIPTYCH examines three elements-air, electricity and water-through dance, sonic and visual structures.” In the program notes “Our global respiration draws from air and water that has existed for 4.5 billion years. Our first and last breath define a human cycle; the water implicit within our bodies is a necessity for all known carbon based life; whilst the electrical sparks of the synapses which link us to the electric sheath and circuitry that kickstarts and maintains life processes, must be present for any of our “thoughts” to take place.” De Quincey Co is…

This is the final work of the Sydney Dance Company in 2008. An intermediary year of three choreographers working with the dancers whilst in the hiatus of searching for a new Artistic leader. I personally feel the company has benefited much from the input and experience of the three guest choreographers: Meryl Tankard, Rafael Bonachela and now Aszure Barton. This work has the feel of a deliberate choice that is as opposite to The Bonachela as possible. The Bonachela 360 Degrees was bombastically contemporary in every area of creativity. It’s stature has grown for me over time and is even…

I paid up my $50 to become a member and join in the exploration of a season “of intimate events in and around the vast spaces of Carriageworks.” 50 bucks well spent. It is a bit like having a degustation at a restaurant. Some of it is great, layered with sensations, some of it is unpalatable but all of it is interesting even in the negatives. It is an adventure. Congratulations to Fiona Winning and her team and guests/artists. I saw DUAL on the Friday night. A piece of dance by Nalina Wait. This was a nicely conceived work. The…

In my review of Pacitti’s last offer CIVIL, as the opening performance in this festival of LIVEWORKS by the Performance Space at Carriageworks, I was being as “civil” as possible. I was, gently, in retrospect, being as politic as possible and therefore relatively generous about what I perceived as essentially a very bland and experientially dull and disappointing work. It was as the creator warned us in his program notes twelve years old. I gave it a respect for it had a sense of a past time and “history” and felt that it may serve as an introduction to the…

CIVIL was first created in 1996 as a five person piece but evolved into a solo work for the director Robert Pacitti which he then performed until 2003 when it the was re-committed to Richard Eton (Dicky). Richard Pacitti is a guest artist at the LIVEWORKS Festival for Performance Space over the next two weeks. He is creating with Australian Artists a project: FINALE which will be premiered next Friday the 5th of September for three performances. Richard Pacitti is the Artistic Director of Pacitti Company and creator of the SPILL Festival Of Performance-London’s premier biennale of experimental theatre and…

To go to the theatre on a Friday night after a week of mentally and emotionally charged work can be a very testing choice. I arrived at Carriageworks a little tired and more than jaded. When I left the Carriageworks after the performance I had been stimulated back to a very alert and maybe even rapturous state of being. Such can be the power of art. The Bland Project was initially developed in 2006 through a Critical Path residency at the Drill hall. Now after a two year further development it is been performed at Performance Space. “Performance Space animates…